本文選題：江戶町人 + 庶民性��； 參考：《山東大學(xué)》2011年碩士論文

【摘要】：在江戶時(shí)代,被稱(chēng)為町人階級(jí)的市民在經(jīng)濟(jì)上得到了很大發(fā)展,積累了巨大的財(cái)富,創(chuàng)造了空前的繁榮。但不管町人如何富有,都改變不了他們政治地位低下的事實(shí)。物質(zhì)需要得到滿足,人們就會(huì)追求精神層面的享受。但由于江戶時(shí)代的社會(huì)現(xiàn)實(shí),町人階級(jí)無(wú)法改善自己的社會(huì)地位,于是他們就力求在文化層面打開(kāi)局面,而茶色就應(yīng)時(shí)代要求脫穎而出,成為當(dāng)時(shí)社會(huì)的流行色。 本文的研究目的就是通過(guò)分析江戶時(shí)代茶色的流行原因,進(jìn)而探究隱藏于其深層的町人文化的實(shí)質(zhì)�；诒菊撐牡难芯糠秶侨毡镜慕瓚魰r(shí)代這一特點(diǎn),所以采取了資料研究法。 在序章部分,闡述了本論文的選題理由及研究對(duì)象,并指明了本論文的總體研究方向。 第一章,分別將武士階級(jí)與町人階級(jí)的經(jīng)濟(jì)實(shí)力及社會(huì)地位進(jìn)行比較,得出兩個(gè)階級(jí)尤其是町人階級(jí)經(jīng)濟(jì)實(shí)力與社會(huì)地位之間存在不平衡的結(jié)論。經(jīng)濟(jì)實(shí)力與社會(huì)地位的失衡促使町人階級(jí)萌發(fā)了反抗意識(shí),進(jìn)而轉(zhuǎn)化成為町人文化勃興的原動(dòng)力。 接下來(lái)的第二章,從技術(shù)的角度來(lái)探究茶色流行的原因。茶色染色技術(shù)發(fā)達(dá),成本低廉,這在技術(shù)成本方面為茶色的流行掃清了障礙。這為町人文化尤其是茶色文化的繁榮創(chuàng)造了良好的條件。 第三章,本章由“歌舞伎演員的高人氣”,“多元的流行途徑”,“町人的審美觀----粹”三節(jié)組成,在論述中追溯了茶色流行的文化原點(diǎn)。富裕的町人階級(jí)在追求精神享受的過(guò)程中,自我表現(xiàn)欲逐漸膨大,最后通過(guò)茶色得到釋放。町人的娛樂(lè)精神掀起文化消費(fèi)熱潮,促進(jìn)了文化整體的繁榮,這是町人文化的一大特質(zhì)。 第四章從政治統(tǒng)治角度來(lái)看町人文化的特質(zhì)。這里的政治原因主要指當(dāng)時(shí)幕府發(fā)布的“禁奢令”。不管幕府頒布何種禁奢令,町人總會(huì)在不違背禁奢令的前提下巧妙地走出自己的時(shí)尚路線,這讓當(dāng)時(shí)的幕府也無(wú)可奈何,這就是町人階級(jí)在文化領(lǐng)域的“下克上”。 在最后的總結(jié)部分,歸納了前文論述的四大原因,進(jìn)而歸納町人文化的特質(zhì)。茶色的流行實(shí)際上是,町人階級(jí)的為滿足自我表現(xiàn)欲望,基于對(duì)自由的渴望而進(jìn)行的一種文化反抗。在江戶時(shí)代的歷史舞臺(tái)上,町人階級(jí)倚仗自己雄厚的經(jīng)濟(jì)實(shí)力,發(fā)揮聰明才智,促使茶色流行,在文化領(lǐng)域中積極宣揚(yáng)自己的主張,體現(xiàn)自己的實(shí)力。流行色也因町人階級(jí)的努力,漸漸融入大眾,走向更廣闊的社會(huì)。
[Abstract]:In the Edo era, the citizens, known as the townspeople, enjoyed great economic growth, accumulated enormous wealth and created unprecedented prosperity. But no matter how rich the townspeople are, they cannot change the fact that their political status is low. Material needs are met and people pursue spiritual enjoyment. However, because of the social reality of the Edo era, the townspeople were unable to improve their social status, so they tried to open up the situation at the cultural level, and the brown color came to the fore at the request of the times and became the popular color of the society at that time. The purpose of this paper is to analyze the popular reasons of brown color in the Edo era, and then to explore the essence of the people's culture hidden in it. Based on the characteristics of the Edo era in Japan, this paper adopts the method of data research. In the preface part, the reason and research object of this thesis are expounded, and the general research direction of this thesis is pointed out. The first chapter compares the economic strength and social status of the samurai class and the town class, and draws the conclusion that there is an imbalance between the economic strength and the social status of the two classes, especially the town class. The imbalance between economic power and social status prompted the people of the town to have a sense of resistance, which turned into the motive force for the prosperity of the town's culture. The second chapter, from the technical point of view, to explore the reasons for the popularity of brown color. The technology of brown color dyeing is developed and the cost is low, which clears the way for the popularity of brown color. This has created good conditions for the prosperity of the town culture, especially the brown culture. Chapter three, this chapter consists of three sections: "popularity of kabuki actors", "multiple ways of popularity" and "Aesthetic-quintessence of people in town", and traces the cultural origin of the popularity of brown color in the discussion. In the pursuit of spiritual enjoyment, the rich townspeople gradually expanded their self-expression desire and were finally released through brown color. The entertainment spirit of the townspeople has caused a cultural consumption boom and promoted the prosperity of the whole culture, which is a major characteristic of the town culture. The fourth chapter looks at the characteristics of the town culture from the angle of political domination. The political reasons here mainly refer to the shogunate at that time issued a "ban on luxury orders." No matter what kind of order the shogunate promulgates, the townspeople will deftly go out of their fashion line without violating the ban, which makes the shogunate at that time helpless, that is, the people of the town in the cultural field. In the last part of the summary, the author summarizes the four reasons discussed above, and then concludes the characteristics of the town culture. The popularity of brown color is, in fact, a cultural revolt by the town class based on a desire for freedom to satisfy its desire for self-expression. On the historical stage of the Edo era, the townspeople rely on their strong economic strength, exert their wisdom and intelligence, promote the popularity of brown color, and actively promote their own ideas and reflect their own strength in the field of culture. Popular color is also due to the efforts of the class, gradually integrated into the public, to a wider society.
【學(xué)位授予單位】：山東大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2011
【分類(lèi)號(hào)】：K313.36

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 李文;德川早期日本兵農(nóng)分離政策的實(shí)施及其歷史意義[J];日本學(xué)刊;1999年03期

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本文編號(hào)：2046487