發(fā)布時間：2018-06-16 12:29

  本文選題：文化視域 + 思想學(xué)術(shù)��； 參考：《文藝爭鳴》2014年12期

【摘要】：正回顧中國20世紀(jì)的文化史和學(xué)術(shù)史,"西學(xué)東漸"無疑是一條重要線索和脈絡(luò),其不僅改變了中國文化思想的歷史走向,而且催生了現(xiàn)代中國新的文化鏡像。在中國,因為接連不斷的社會危機,在很多忍辱負(fù)重的志士仁人心中,西方及其西方文化正處于顯赫的光環(huán)之中,被認(rèn)定為取經(jīng)和求真的彼岸和目的地;而自身所處的中國,則被排斥和邊緣化為一種離奇的、流離于世界潮流之外的存在,成為文化獵奇的"隱微"的對象。而更為不可思議的是,不僅西方
[Abstract]:Reviewing the cultural history and academic history of China in the 20th century, "Western learning to the east" is undoubtedly an important clue and thread, which not only changed the historical trend of Chinese cultural thought, but also gave birth to a new cultural mirror image of modern China. In China, because of successive social crises, in the minds of many people with lofty ideals who have endured humiliation, the West and its western culture are in a glorious aura, recognized as the other shore and destination for learning from and seeking truth; and China itself, It is excluded and marginalized as a kind of strange existence, which is out of the world trend, and becomes the object of cultural curiosity. And what's even more incredible is that it's not just the West.
【作者單位】： 華東師范大學(xué)中文系;
【分類號】：K103

【共引文獻(xiàn)】

相關(guān)期刊論文 前10條

1 吳奕，

本文編號：2026682