本文選題：帕特農(nóng)神殿飾帶 + 雅典娜崇拜�。� 參考：《復(fù)旦大學(xué)》2009年碩士論文

【摘要】： 本文將視角聚焦在帕特農(nóng)神殿飾帶的主題上,在對帕特農(nóng)神殿飾帶的學(xué)術(shù)研究史做一個回顧的同時,將歷史上對于飾帶主題的不同理解進(jìn)行歸類。在學(xué)術(shù)研究史梳理的基礎(chǔ)之上,論文準(zhǔn)備引入圖像學(xué)的解讀方法探究飾帶在結(jié)構(gòu)布局上的規(guī)律,同時結(jié)合雅典娜崇拜的特征、公元前5世紀(jì)雅典城邦的社會與政治環(huán)境,以期對飾帶的主題做出一定的解釋,從而探究伯里克利時代雅典城邦的社會政治思想及其與宗教觀念的關(guān)聯(lián)。目前,學(xué)者們對帕特農(nóng)神殿飾帶主題的解釋主要包括戰(zhàn)爭勝利紀(jì)念說、厄瑞克透斯王祭女說、泛雅典娜節(jié)說三大類。他們在研究過程中的側(cè)重點也不盡相同,有些是從單一的圖像學(xué)視角出發(fā)進(jìn)行分析,有些注重通過神話傳統(tǒng)進(jìn)行解讀,有些則更加關(guān)注歷史事件的關(guān)聯(lián)。若是僅從某種角度進(jìn)行解讀或是僅注重某個方面的分析,可能會因為忽略了各種方面的內(nèi)在聯(lián)系而無法全面地掌握涉及飾帶主題的信息,而本文將著眼于伯里克利時代宗教和政治的內(nèi)在關(guān)聯(lián),對帕特農(nóng)神殿飾帶主題進(jìn)行理解。文章首先通過分析飾帶全景圖作出飾帶主題應(yīng)為泛雅典娜節(jié)的初步判斷,其后分別從宗教意識和政治理念的角度,對泛雅典娜節(jié)這一說法的存在基礎(chǔ)及其關(guān)聯(lián)作出分析。作為雅典城邦的保護(hù)神,雅典娜同時繼承了其母墨提斯的“智慧”以及其父宙斯的“權(quán)力”,而她的這種雙重屬性似乎也對應(yīng)了公元前5世紀(jì)雅典社會政治的雙重特征:伯里克利對內(nèi)推行“民主”、對外實行“霸權(quán)”的做法從某種程度上來說正是反映了這種“智慧”與“權(quán)力”的雙重影響。對于雅典城邦來說,帶有社會政治性質(zhì)的宗教,更是一種社會生活和集體生活的形式,而不像它原先那樣,是一種私人經(jīng)驗以及個人與神圣之間聯(lián)系的形式。這種宗教在社會政治結(jié)構(gòu)中的介入也是希臘社會的特征之一。我們可以說,伯里克利的政治理念正是借助了雅典娜崇拜的宗教傳統(tǒng),亦即用雅典娜的形象來塑造城邦及其公民的形象,在希臘世界廣為傳播,而泛雅典娜節(jié)慶典則是其中的重要傳播途徑。正因為如此,作為伯里克利衛(wèi)城重建工程的一部分,帕特農(nóng)神殿飾帶以泛雅典娜節(jié)為其主題,而設(shè)計者與當(dāng)政者也希望借此傳達(dá)雅典人對神祗的虔誠、對自我的認(rèn)知以及對城邦的感恩。
[Abstract]:This paper focuses on the theme of the Parthenon, and classifies the different understanding of the ribbon in history while reviewing the history of the academic research of the Parthenon. On the basis of combing the history of academic research, the thesis intends to introduce the interpretation method of imageology to explore the rules of the structure and layout of the ribbon, and at the same time, combining the characteristics of Athena worship, the social and political environment of the Athens city-state in the 5th century BC. The purpose of this paper is to explain the theme of the ribbons and to explore the relationship between the social and political thoughts and religious ideas of the Athens city states in the Pericles era. At present, scholars explain the theme of the ribbon of Parthenon temple mainly including war victory memorial, Erricius king worshippers, Pan-Athena festival theory three categories. Their emphasis in the research process is also different, some from a single perspective of image analysis, some focus on the interpretation of mythological tradition, some more concerned about the historical events. Reading only from a certain angle or focusing only on an analysis of a particular aspect may result in an inability to grasp the full range of information related to the subject of the ribbon by neglecting the interlinkages of the various aspects. This paper, focusing on the internal relationship between religion and politics in the Pericles, will understand the theme of the Parthenon. This paper first analyzes the panoramic panorama to make a preliminary judgment that the banding theme should be Pan-Athena Festival, then from the angle of religious consciousness and political idea, analyzes the existence basis and its correlation of the Pan-Athena Festival. As the patron saint of Athens, Athena inherited the "wisdom" of her mother, Metis, and the "power" of his father, Zeus. Her dual attributes seem to correspond to the social and political characteristics of Athens in the 5th century B.C.: Pericles promotes "democracy" within itself. To some extent, the practice of hegemonism reflects the dual influence of wisdom and power. For the Athenian city-state, a socio-political religion is a form of social and collective life, rather than a form of private experience and a connection between the individual and the divine. The involvement of this religion in the social and political structure is also one of the characteristics of Greek society. We can say that the political ideas of Pericles have been widely spread in the Greek world with the help of the religious tradition of Athena worship, that is, the image of Athena as a city-state and its citizens. And the Pan-Athena Festival celebration is one of the important ways of transmission. For this reason, as part of the reconstruction of the Acropolis of Pericles, the Parthenon ornament was dedicated to the Pan-Athena Festival, and the designers and the rulers wanted to convey the reverence of the Athenians for the gods. A sense of self and gratitude for the city-states.
【學(xué)位授予單位】：復(fù)旦大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2009
【分類號】：K125

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1 宋可即;釋讀帕特農(nóng)神殿飾帶浮雕[D];復(fù)旦大學(xué);2009年

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