文化安全背景下美劇的意識(shí)形態(tài)問(wèn)題研究
發(fā)布時(shí)間：2018-08-23 15:38
【摘要】：隨著全球化進(jìn)程的加快和信息技術(shù)的發(fā)展,各國(guó)各地區(qū)間的文化交流也日益增多,近兩年來(lái),美劇以非常低調(diào)的姿態(tài)悄無(wú)聲息地走進(jìn)了大眾視野,但又以非常強(qiáng)勁的影響力和滲透力在中國(guó)迅速流行起來(lái),從80年代的《加里森敢死隊(duì)》、《大西洋底來(lái)的人》到90年代的《成長(zhǎng)的煩惱》、《老友記》再到如今通過(guò)網(wǎng)絡(luò)一炮走紅的《越獄》,伴隨著大量美劇在中國(guó)取得火爆收視及持續(xù)流行,美劇中所傳遞的意識(shí)形態(tài)和價(jià)值觀念也在潛移默化地影響著中國(guó)觀眾的思維方式和生活習(xí)慣,越來(lái)越多中國(guó)年輕人的世界觀、價(jià)值觀、家庭觀等都受到了美劇的影響。曾經(jīng)在網(wǎng)絡(luò)上流傳著這樣一個(gè)段子：“追國(guó)產(chǎn)劇的最擔(dān)心婆媳關(guān)系,追韓劇的嫁不出去,追英劇的高端文藝,追美劇的不明覺(jué)厲(網(wǎng)絡(luò)流行語(yǔ)：雖然不明白,但感覺(jué)很厲害的樣子)。”臺(tái)灣《旺報(bào)》在2014年4月9號(hào)的短評(píng)說(shuō)：“這雖是笑談,卻也可以看出美劇及美劇觀眾的地位。”在以文藝青年、白領(lǐng)和學(xué)生為主體的時(shí)光網(wǎng)和豆瓣網(wǎng)上,關(guān)注美劇的比例達(dá)到86%；也有相關(guān)數(shù)據(jù)顯示,美劇粉絲的主要構(gòu)成是由高學(xué)歷、高職位、高收入的“三高”人群所構(gòu)成,25-30歲的人群占到多數(shù),他們有著較高的消費(fèi)能力,追求著品質(zhì)的生活。正是這樣的年輕群體同樣也是中國(guó)社會(huì)未來(lái)發(fā)展的主力軍。這些制作精良的美劇借助網(wǎng)絡(luò)這一特殊傳播途徑在中國(guó)年輕群體中得到廣泛流行,此種現(xiàn)象背后值得我們深思和探討的是為何美劇中蘊(yùn)含的意識(shí)形態(tài)和價(jià)值觀念能夠俘虜這么多年輕觀眾的心?美劇在中國(guó)的盛行又對(duì)中國(guó)國(guó)家文化安全有著怎樣的沖擊?而作為一個(gè)尚處在社會(huì)主義發(fā)展中階段的發(fā)展大國(guó),我們又該如果看待和應(yīng)對(duì)這種威脅?如何保衛(wèi)我國(guó)國(guó)家文化的安全? 本文主要由前言、正文和結(jié)束語(yǔ)三部分組成。 前言部分主要論述了選題的提出和現(xiàn)實(shí)意義,對(duì)國(guó)內(nèi)外美劇的研究情況進(jìn)行概述,并簡(jiǎn)要介紹了論文的基本框架和主要內(nèi)容。正文主要由五部分組成。第一部分主要描述了美劇在中國(guó)的傳播情況。本部分總共分為二小節(jié)：第一小節(jié)為美劇概述,即美劇的基本情況,美劇在中國(guó)的影響力。第二小節(jié)主要介紹美劇在我國(guó)的傳播歷史和傳播現(xiàn)狀。第二部分則主要介紹論文采取的研究方法,即問(wèn)卷調(diào)查和個(gè)人訪談相結(jié)合的形式,就美劇對(duì)國(guó)內(nèi)受眾的影響進(jìn)行研究及分析,調(diào)查的目的在于突出美劇的意識(shí)形態(tài)和價(jià)值觀念在受眾群體中產(chǎn)生何種影響。第三部分以個(gè)別美劇為例并結(jié)合實(shí)證調(diào)查,分析美劇的意識(shí)形態(tài)和價(jià)值觀念。第四部分主要論述了美劇的盛行現(xiàn)象對(duì)我國(guó)國(guó)家文化安全的沖擊。這里主要從美劇如何提升美國(guó)的文化實(shí)力及美劇對(duì)中國(guó)觀眾的思維方式產(chǎn)生的影響等方面來(lái)論述美劇對(duì)我國(guó)文化安全的沖擊。第五部分依據(jù)實(shí)證調(diào)查數(shù)據(jù),主要論述了在美劇盛行的美國(guó)文化霸權(quán)的侵略下,中國(guó)該如何抵御以及如何維護(hù)中國(guó)國(guó)家文化安全。 在全球加速發(fā)展的今天,中國(guó)因長(zhǎng)期處于發(fā)展階段,其綜合國(guó)力同美國(guó)相比還存在著較大差距。中國(guó)文化市場(chǎng)的體制不健全,文化產(chǎn)業(yè)的發(fā)展不完善,美劇的意識(shí)形態(tài)輸出及美國(guó)的文化霸權(quán)都對(duì)我國(guó)的文化安全形勢(shì)構(gòu)成了極大的威脅,我們也受到了前所未有的挑戰(zhàn)。如何應(yīng)對(duì)這種挑戰(zhàn),維護(hù)我國(guó)文化安全,已成為構(gòu)建中國(guó)文化安全戰(zhàn)略中必須思考和解決的一個(gè)重要課題。面對(duì)美國(guó)文化霸權(quán)的戰(zhàn)略企圖,我們必須認(rèn)識(shí)到當(dāng)前形勢(shì)的險(xiǎn)峻性和維護(hù)國(guó)家安全的重要性,我們應(yīng)對(duì)美國(guó)文化霸權(quán)有深入了解,充分認(rèn)識(shí)其對(duì)中國(guó)文化安全的嚴(yán)重危害和侵蝕,并做出相應(yīng)的思考和抉擇,確保國(guó)家的文化利益不受侵犯。我們應(yīng)對(duì)西方的文化滲透保持清醒和警惕的頭腦,采取積極的防御措施,維護(hù)國(guó)家的文化安全。
[Abstract]:With the acceleration of globalization and the development of information technology, cultural exchanges among countries and regions are increasing. In the past two years, American TV series have quietly entered the public view with a very low-key attitude, but with a very strong influence and penetration in China, it has rapidly become popular, from the 1980s < Garrison's Death Team >, < Daxi's People from the ocean floor to Growing Pains in the 1990s and Friends to Prison Break, which is now popular through the Internet, have been gaining popularity and popularity in China with a large number of American dramas. The ideology and values conveyed in American dramas have also exerted a subtle influence on the way of thinking and living habits of Chinese audiences. More and more young Chinese are influenced by American dramas in their world outlook, values and family outlook. "It's a joke, but it also shows the status of the audience of American TV dramas," Taiwan's Wang Bao said in a short commentary on April 9, 2014. The majority of the people aged 25-30 are people with higher educational background, higher vocational positions and higher income. They have higher consumption ability and pursue a quality life. It is such a young group that is also the main force for the future development of Chinese society. It is worth pondering and discussing why the ideology and values contained in American dramas can capture the hearts of so many young audiences, and what impact does the prevalence of American dramas have on China's national cultural security, which is still in the middle stage of socialist development. How should we treat and deal with this threat and safeguard the security of our national culture?
This article is mainly composed of three parts: preface, main body and concluding remarks.
The first part mainly describes the spread of American TV Series in China. This part is divided into two sections: the first section is beauty. The second section mainly introduces the history and current situation of American TV Series in China. The second part mainly introduces the research methods adopted by the thesis, that is, the combination of questionnaire survey and personal interview, to study and analyze the influence of American TV series on domestic audiences. The purpose is to highlight the impact of ideology and values on the audiences of American TV dramas. The third part analyzes the ideology and values of American TV dramas by taking individual American TV dramas as examples and combining with empirical investigation. The fourth part mainly discusses the impact of the prevalence of American TV dramas on China's national cultural security. How to enhance the cultural strength of the United States and the impact of American drama on the way of thinking of Chinese audiences to discuss the impact of American drama on China's cultural security. The fifth part, based on empirical survey data, mainly discusses how China should resist the invasion of American cultural hegemony prevailing in American drama and how to maintain Chinese National culture. Security.
Today, with the accelerated development of the world, China has been in the stage of development for a long time, and its comprehensive national strength still lags behind that of the United States. We are also facing unprecedented challenges. How to deal with these challenges and safeguard our cultural security has become an important issue that must be considered and solved in the construction of China's cultural security strategy. We should have a deep understanding of American cultural hegemony, fully understand its serious harm and erosion to China's cultural security, and make corresponding thinking and choices to ensure that the country's cultural interests are not infringed.
【學(xué)位授予單位】：安徽大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：C913
[Abstract]:With the acceleration of globalization and the development of information technology, cultural exchanges among countries and regions are increasing. In the past two years, American TV series have quietly entered the public view with a very low-key attitude, but with a very strong influence and penetration in China, it has rapidly become popular, from the 1980s < Garrison's Death Team >, < Daxi's People from the ocean floor to Growing Pains in the 1990s and Friends to Prison Break, which is now popular through the Internet, have been gaining popularity and popularity in China with a large number of American dramas. The ideology and values conveyed in American dramas have also exerted a subtle influence on the way of thinking and living habits of Chinese audiences. More and more young Chinese are influenced by American dramas in their world outlook, values and family outlook. "It's a joke, but it also shows the status of the audience of American TV dramas," Taiwan's Wang Bao said in a short commentary on April 9, 2014. The majority of the people aged 25-30 are people with higher educational background, higher vocational positions and higher income. They have higher consumption ability and pursue a quality life. It is such a young group that is also the main force for the future development of Chinese society. It is worth pondering and discussing why the ideology and values contained in American dramas can capture the hearts of so many young audiences, and what impact does the prevalence of American dramas have on China's national cultural security, which is still in the middle stage of socialist development. How should we treat and deal with this threat and safeguard the security of our national culture?
This article is mainly composed of three parts: preface, main body and concluding remarks.
The first part mainly describes the spread of American TV Series in China. This part is divided into two sections: the first section is beauty. The second section mainly introduces the history and current situation of American TV Series in China. The second part mainly introduces the research methods adopted by the thesis, that is, the combination of questionnaire survey and personal interview, to study and analyze the influence of American TV series on domestic audiences. The purpose is to highlight the impact of ideology and values on the audiences of American TV dramas. The third part analyzes the ideology and values of American TV dramas by taking individual American TV dramas as examples and combining with empirical investigation. The fourth part mainly discusses the impact of the prevalence of American TV dramas on China's national cultural security. How to enhance the cultural strength of the United States and the impact of American drama on the way of thinking of Chinese audiences to discuss the impact of American drama on China's cultural security. The fifth part, based on empirical survey data, mainly discusses how China should resist the invasion of American cultural hegemony prevailing in American drama and how to maintain Chinese National culture. Security.
Today, with the accelerated development of the world, China has been in the stage of development for a long time, and its comprehensive national strength still lags behind that of the United States. We are also facing unprecedented challenges. How to deal with these challenges and safeguard our cultural security has become an important issue that must be considered and solved in the construction of China's cultural security strategy. We should have a deep understanding of American cultural hegemony, fully understand its serious harm and erosion to China's cultural security, and make corresponding thinking and choices to ensure that the country's cultural interests are not infringed.
【學(xué)位授予單位】：安徽大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：C913
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1 張曉蒙;;基于文化安全視角的網(wǎng)游產(chǎn)業(yè)研究[J];濟(jì)南職業(yè)學(xué)院學(xué)報(bào);2011年03期
2 田華新;如何解答問(wèn)題[J];時(shí)事(時(shí)事報(bào)告中學(xué)生版);2004年04期
3 張?jiān)乒~;;國(guó)家安全的文化與文化安全[J];河南社會(huì)科學(xué);2006年02期
4 馬漓，
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