【摘要】：在視覺文化背景下,圖像已經(jīng)成為社會議題建構(gòu)、公共輿論生成的主要手段。隨著身體的內(nèi)涵從被動性、動物性向主動性、抗?fàn)幮赞D(zhuǎn)變,"裸身"成為農(nóng)民工表達(dá)利益訴求的一種重要修辭資源。借助媒介的力量,農(nóng)民工以符號生成、語境重構(gòu)、隱喻構(gòu)造的方式完成裸身抗?fàn)巿D像的建構(gòu),表征并傳遞出對受眾的視覺勸服。作為新社會運(yùn)動的一種方式,裸身抗?fàn)幍纳顚游幕瘍?nèi)涵在于以圖像的方式進(jìn)行戲劇性表達(dá)與景觀制造,并在拓展自身可見性的同時,不斷賦予觀看者實(shí)現(xiàn)可見性的權(quán)力,最終指向農(nóng)民工自身的弱者身份。
[Abstract]:Under the background of visual culture, image has become the main means to construct social issues and generate public opinion. With the change of body connotation from passivity, animality to initiative and resistance, "naked body" has become an important rhetorical resource for peasant workers to express their interests. With the help of the power of the media, migrant workers construct the naked protest images by the means of symbol generation, context reconstruction and metaphorical construction, which represent and convey the visual persuasion to the audience. As a way of the new social movement, the deep cultural connotation of the naked body struggle lies in the dramatic expression and landscape making in the form of images, and at the same time, it endows the viewer with the power to realize the visibility while expanding his own visibility. Finally, it points to the weak status of migrant workers themselves.
【作者單位】： 暨南大學(xué)新聞與傳播學(xué)院;美國阿拉巴馬大學(xué)傳播與信息科學(xué)學(xué)院;
【基金】：國家社會科學(xué)基金重大項(xiàng)目“視覺修辭的理論、方法與應(yīng)用研究”(17ZDA290)
【分類號】：C912.6;G206

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