本文選題：敘述性圖像 + 展示性圖像��； 參考：《西南民族大學學報(人文社科版)》2017年11期

【摘要】：近代中國畫報中刊登了大量女性形象。其中有很多內(nèi)容專門針對女性讀者,因而很難從"供男性注視"的角度來分析。作者將這些女性形象分為敘述性圖像和展示性圖像兩類,進一步應用阿爾都塞關于國家意識形態(tài)的相關理論,對展示性圖像進行了專門研究,認為國家意識形態(tài)以自然化的方式寓于畫報女性形象之中,在實現(xiàn)大寫主體(以"新女性"形象為代表)對小寫主體(即畫報讀者,特別是女性讀者)的召喚過程中,實現(xiàn)教化國民的功能。
[Abstract]:Modern Chinese pictorial published a large number of female images. Much of it is specifically aimed at female readers, making it difficult to analyze it from a "for men's eye" perspective. The author divides these female images into narrative images and display images, and applies Althusser's theory of national ideology to study them. The author holds that the national ideology is embodied in the pictorial female image in a natural way, and in the process of realizing the call of the uppercase subject (represented by the "new female" image) to the lowercase subject (that is, the pictorial reader, especially the female reader), To realize the function of civilizing the people.
【作者單位】： 四川大學文學與新聞學院;四川大學海外教育學院;
【基金】：國家社會科學基金項目“清末民初畫報研究”(10CXW002) 四川大學中央高�；究蒲袠I(yè)務費研究專項項目(skqx201104)階段性成果
【分類號】：C913.68;G219.29
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本文編號：2079849