本文選題：韓國 + 整容文化　； 參考：《中央民族大學(xué)》2017年碩士論文

【摘要】：韓國在20世紀(jì)70年代經(jīng)濟(jì)騰飛以后,其社會(huì)文化、日常生活等各方面都發(fā)生了巨大的變化,女性整容文化也隨著經(jīng)濟(jì)的發(fā)展得以興盛起來。如今韓國已經(jīng)成為世界聞名的整容大國,每年赴韓整容的外國游客與日俱增。在韓國,整容作為一種可以任意購買的商品服務(wù)已經(jīng)成為了一項(xiàng)被日�；膶�(shí)踐行為,韓國社會(huì)對(duì)于整容實(shí)踐行為的容許度很高。在娛樂明星和社會(huì)精英的示范效應(yīng)下,整容成為了韓國民眾趨之若騖的行為,并且形成了獨(dú)特的整容文化。韓國社會(huì)整容文化的實(shí)踐主體是女性,除了父權(quán)制帶來的容貌至上主義的結(jié)構(gòu)性社會(huì)壓力以外,韓國女性在整容文化的建構(gòu)過程中也表現(xiàn)出相當(dāng)程度的自主性和主體性。因此,本文將整容文化視為理解當(dāng)代韓國社會(huì)的一個(gè)獨(dú)特的視角。整容是一種利用醫(yī)學(xué)手段改造身體外貌的醫(yī)學(xué)方式,最早于20世紀(jì)初運(yùn)用于對(duì)戰(zhàn)爭中受傷士兵的身體外觀的恢復(fù)性再造。而利用外科手術(shù)的方式改造正常人的外貌是一種人為地對(duì)自然身體的改變,這種利用醫(yī)學(xué)技術(shù)手段改變身體形態(tài)的行為引起了很多社會(huì)理論家的關(guān)注。在之前關(guān)于整容的社會(huì)研究中,身體社會(huì)學(xué)、消費(fèi)主義和女性主義都對(duì)整容行為進(jìn)行了深刻地解讀,韓國的本土研究也從韓國整容產(chǎn)業(yè)的擴(kuò)張、媒體的作用以及整容者的角度對(duì)韓國的整容現(xiàn)象進(jìn)行過相關(guān)研究。本文在以上研究的基礎(chǔ)上,以當(dāng)代韓國女性地位的轉(zhuǎn)變?yōu)楸尘?并且綜合了前人的研究成果,立足于實(shí)地田野調(diào)查資料,力圖從韓國社會(huì)的文化規(guī)范、整容產(chǎn)業(yè)的經(jīng)營模式以及整容者個(gè)人的主體性意義等維度來綜合呈現(xiàn)韓國女性整容文化的成因及其實(shí)踐意義。在容貌至上主義的社會(huì)文化規(guī)范作用下,女性的身體已經(jīng)被結(jié)構(gòu)化了,身體不僅僅是物理上的身體,而是權(quán)力、資本、價(jià)值規(guī)范、意識(shí)形態(tài)綜合而成的社會(huì)構(gòu)成物。美容整容作為一種醫(yī)療手段,是對(duì)無疾病的身體通過醫(yī)療手段來達(dá)到社會(huì)所認(rèn)可的美的身體,經(jīng)過技術(shù)改造過的身體可以說是社會(huì)規(guī)范、男女社會(huì)性別屬性的體現(xiàn)。女性在通過整容去改變?nèi)菝矔r(shí),已經(jīng)默認(rèn)了這種外貌歧視的文化規(guī)范,并且不斷地再生產(chǎn)著這種不平等的女性地位和以貌取人的社會(huì)風(fēng)氣。韓國發(fā)達(dá)的整容產(chǎn)業(yè)鏈?zhǔn)沟谜莘⻊?wù)的獲取更加便利,激烈的市場(chǎng)競爭降低了整容價(jià)格,技術(shù)的發(fā)展使得整容手術(shù)越來越簡單,術(shù)后修復(fù)更加完善,這一切都進(jìn)一步擴(kuò)大了整容在女性群體中的普及程度。作為整容主體的韓國女性認(rèn)可整容給她們帶來的主體性意義,這包括自信心的提高和整容帶來的現(xiàn)實(shí)利益�？傊�,韓國的整容文化是其容貌至上主義的文化規(guī)范、規(guī)模龐大的整容產(chǎn)業(yè)以及女性自身對(duì)待整容的積極態(tài)度等因素合力的產(chǎn)物。韓國女性在整容文化中的"共謀式"參與,在更深的層面上凸顯了韓國女性在現(xiàn)代社會(huì)生活中自我呈現(xiàn)機(jī)制的變化。
[Abstract]:After the economic takeoff in the 1970s in South Korea, great changes have taken place in all aspects of its social culture and daily life, and the culture of female cosmetic surgery has also flourished with the development of economy. Today, South Korea has become a world-famous plastic surgery country, every year the number of foreign tourists to Korea plastic surgery is increasing. In Korea, cosmetic surgery, as a kind of commodity service that can be purchased at will, has become a daily practice behavior, and Korean society has a high tolerance for plastic surgery practice. Under the demonstration effect of entertainment stars and social elites, plastic surgery has become the behavior of Korean people, and formed a unique plastic surgery culture. The main body of plastic surgery culture in Korean society is female. In addition to the structural social pressure of appearance supremacy brought by patriarchal system, Korean women also show a considerable degree of autonomy and subjectivity in the process of construction of plastic surgery culture. Therefore, this article regards plastic surgery culture as a unique angle of view to understand contemporary Korean society. Cosmetic surgery is a medical way to reconstruct body appearance by medical means. It was first used in the early 20th century to reconstruct the body appearance of wounded soldiers in war. The use of surgical methods to modify the appearance of normal people is a man-made change of the natural body, this use of medical technology to change the shape of the body behavior has attracted the attention of many social theorists. In previous social studies on cosmetic surgery, physical sociology, consumerism and feminism have all profoundly interpreted cosmetic surgery, and local studies in South Korea have also expanded the plastic surgery industry in South Korea. The role of the media and the perspective of cosmetic plastic surgery in South Korea has been related to the phenomenon. On the basis of the above research, this paper takes the change of the status of contemporary Korean women as the background, and synthesizes the previous research results, based on the field survey data, trying to from the cultural norms of Korean society. The management mode of plastic surgery industry and the personal subjective significance of plastic surgery show the causes of Korean women's plastic surgery culture and its practical significance. Under the social and cultural norm of the appearance supremacy, the female body has been structured. The body is not only the physical body, but also the social composition of power, capital, value norm and ideology. Cosmetic plastic surgery as a medical means is to the body without disease through medical means to achieve the social recognition of the United States body, after the technical transformation of the body can be said to be the social norms, gender attributes of men and women reflect. When women change their appearance through plastic surgery, they have acquiesced to the cultural norms of appearance discrimination, and continue to reproduce the unequal status of women and the social atmosphere of judging people by appearance. Korea's developed plastic surgery industry chain has made it more convenient to obtain plastic surgery services. Fierce market competition has reduced the price of cosmetic surgery. With the development of technology, cosmetic surgery has become more and more simple, and postoperative repair has become more complete. All this has further expanded the popularity of cosmetic surgery in the female population. As the main body of plastic surgery, Korean women recognize the subjective significance of plastic surgery, which includes the improvement of self-confidence and the practical benefits of plastic surgery. In a word, the plastic surgery culture in Korea is the result of the cultural norm of its appearance supremacy, the huge plastic surgery industry and the positive attitude of women to plastic surgery. The "collusion" participation of Korean women in plastic surgery culture highlights the change of self-presentation mechanism of Korean women in modern social life.
【學(xué)位授予單位】：中央民族大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：C913.68

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 樸善姬;韓國女性的職業(yè)變遷[J];當(dāng)代韓國;2004年01期

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本文編號(hào)：2014583