本文選題：廣場舞　切入點：個體化　出處：《福建論壇(人文社會科學(xué)版)》2017年03期

【摘要】：在傳統(tǒng)社會,女性的情感表象是有關(guān)家庭、集體與國家的社會象征;而在陌生的城市社會,都市女性在社會轉(zhuǎn)型與老齡化的社會語境中的情感表達(dá)離不開對主體性問題的關(guān)注。本文借鑒個體化理論,通過對廣場舞女性群體日常生活的深入闡釋,探討都市女性的情感表達(dá)與主體性建構(gòu)。廣場舞群體以混合的個人動機進入廣場空間,并以統(tǒng)一的身體實踐,表征為自己而活的情感呈現(xiàn),成為私人情感的外化,既表現(xiàn)為女性群體自我情感表達(dá)與重塑女性角色的強烈意愿,又表明她們在與家庭、群體和社會的互動中主動尋求主體性建構(gòu),實現(xiàn)個體與社會新的聯(lián)結(jié)。作為特殊的身份群體,廣場舞女性仍以家庭為核心,無法擺脫母親、妻子身份,其繁雜的生活瑣事背后蘊含的情感始終融于主體性的建構(gòu)行動之中。
[Abstract]:In traditional societies, the emotional representation of women is the social symbol of the family, the collective, and the state, while in the unfamiliar urban society, The emotional expression of urban women in the social context of social transformation and aging can not be separated from the attention to subjectivity. This paper probes into the emotional expression and subjective construction of urban women. The square dance group enters the square space with mixed personal motive, and presents the emotion of living for itself with unified body practice, which becomes the externalization of private emotion. It not only shows the strong will of female groups to express their feelings and reshape female roles, but also shows that they actively seek the construction of subjectivity in the interaction with family, group and society. As a special identity group, square dancing women are still family as the core, can not get rid of the mother, wife identity, its complex life behind the emotions contained in the construction of the activities of integration.
【作者單位】： 華東理工大學(xué)社會學(xué)系;
【基金】：國家社會科學(xué)青年基金項目:“城市社區(qū)治理的公共性重構(gòu)研究”(項目編號:16CSH068) 中央基本科研業(yè)務(wù)費專項基金項目“城市化進程中廣場舞者的生活方式變遷研究”(WE1524302) 中國博士后科學(xué)基金第59批面上資助項目(2016M590326)的階段性成果
【分類號】：C913.68;C912.6

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