本文關(guān)鍵詞： 烏托邦地圖 科學(xué) 行會(huì) 鳥瞰視角　出處：《美術(shù)研究》2017年04期 　論文類型：期刊論文

【摘要】：地圖具有非凡的視覺表現(xiàn)和驚人的圖像形式,近代以前的地圖包含宏大的社會(huì)意義,它代表疆域、國家形象甚至霸權(quán)。風(fēng)景畫與地圖之間有著天然的聯(lián)系與模糊的邊界,幾個(gè)世紀(jì)以來,歐洲風(fēng)景藝術(shù)與制圖術(shù)在科學(xué)和圖繪兩個(gè)方面相互結(jié)合,甚至藝術(shù)家行會(huì)也影響到了地圖圖像的呈現(xiàn),這些復(fù)雜因素不僅成就了歐洲風(fēng)景藝術(shù)自身的歷史,也是地圖建構(gòu)世界圖景的路徑。
[Abstract]:Maps have extraordinary visual performance and astonishing image form. Maps before modern times contain great social significance, representing territory, national image and even hegemony. There is a natural connection and fuzzy boundary between landscape painting and map. Over the centuries, European landscape art and cartography have been combined in both science and drawing, and even artists' associations have influenced the presentation of map images. These complex factors have not only contributed to the history of European landscape art itself. It is also the path of the map to construct the world picture.
【作者單位】： 上海大學(xué)美術(shù)學(xué)院;
【基金】：本人在研國家社科基金項(xiàng)目[項(xiàng)目編號(hào):15BZS105]階段成果之一
【分類號(hào)】：J209.2;K991
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本文編號(hào)：1502084