本文選題：鈴木忠志 + 《酒神狄俄尼索斯》��； 參考：《戲劇文學(xué)》2017年09期

【摘要】：在鈴木忠志執(zhí)導(dǎo)的悲劇《酒神狄俄尼索斯》之中,法治精神既帶有群體覺醒的人格獨(dú)立的特征,又具備了社會(huì)警醒的現(xiàn)實(shí)意義,由此也成為構(gòu)建全劇人文基體的關(guān)鍵要素。在獨(dú)具"物哀"意蘊(yùn)的東方美學(xué)環(huán)境的烘托之下,法治思想充分釋放出了冷峻、理性而又充滿熱望的震撼力和共鳴力。在戲劇行業(yè)全球一體化趨勢(shì)日益凸顯的背景之下,應(yīng)全面鑒析《酒神狄俄尼索斯》中的法治精神,歸納、汲取其中可取的表達(dá)策略,有針對(duì)性地更新戲劇行業(yè)的運(yùn)作模式,從而推動(dòng)戲劇藝術(shù)的跨文化、跨地域發(fā)展。
[Abstract]:In Suzuki's tragedy Dionysus, the spirit of the rule of law has not only the characteristics of the personality independence of group awakening, but also the practical significance of social alertness, which has become the key element of constructing the humanistic matrix of the whole play. Under the background of oriental aesthetic environment, the thought of rule of law has fully released the shock and resonance of cold, rational and eager. Under the background of the increasingly global integration trend of the drama industry, we should comprehensively analyze the spirit of the rule of law in Dionysus, sum up and draw on the desirable expressing strategies, and update the mode of operation of the drama industry in a targeted way. So as to promote the cross-cultural drama art, cross-regional development.
【作者單位】： 貴州師范大學(xué)馬克思主義學(xué)院;河北公安警察職業(yè)學(xué)院;
【分類號(hào)】：J805

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