【摘要】：帶鉤是中國古代服飾的一種構(gòu)件,對我國古代歷史的影響不同一般,特別是對齊國歷史的影響更是非同尋常,從某種意義上說,一枚帶鉤改寫了整部齊國的歷史。關(guān)于齊國帶鉤起源問題眾說紛紜,據(jù)文獻(xiàn)記載,至遲在春秋早期齊國貴族階層已經(jīng)使用帶鉤。齊國帶鉤,由于受齊文化開放性和包容性的影響,在造型和裝飾上以變化豐富、形式多樣、重實用求美觀為顯著特色,求新善變、不拘一格的造型與裝飾風(fēng)格體現(xiàn)得尤為明顯。特別是戰(zhàn)國時期,齊國帶鉤造型和裝飾藝術(shù)風(fēng)格表現(xiàn)尤為突出,地域特色更為鮮明。大量出土的齊國帶鉤,是對司馬遷"齊冠帶衣履天下"論斷的最好明證。齊國帶鉤藝術(shù)是齊國服飾文化的重要內(nèi)容,也是我國古代服飾文化的重要組成部分,在中國服飾藝術(shù)史上占有重要地位。
[Abstract]:Hook is a kind of component of ancient Chinese clothing, and its influence on the ancient history of our country is different, especially on the history of Qi. In a sense, one hook rewrites the history of the whole country of Qi. There are different opinions on the origin of Qiguo belt hook. According to the literature, the Qi aristocratic class already used the belt hook no later than the early Spring and Autumn period. Due to the influence of the openness and inclusiveness of Qi culture, the style and decoration of Qi country are characterized by rich changes, various forms, emphasis on practicality and beauty, and the style of styling and decoration is particularly obvious because of the openness and inclusiveness of Qi culture. Especially during the warring States period, the style of Qi hook and decorative art was particularly prominent, and the regional characteristics were more distinct. A large number of unearthed Qiguo hook is the best proof of Sima Qian's conclusion that Qi Guan clothes wear and act all over the world. Qiguo hook art is not only an important part of Qiguo clothing culture, but also an important part of ancient Chinese clothing culture, which occupies an important position in the history of Chinese clothing art.
【作者單位】： 山東理工大學(xué)《管子學(xué)刊》編輯部;
【分類號】：K875.2

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本文編號：2525183