【摘要】：在昭陵唐太宗妃韋氏墓出土一組樂舞壁畫。此組樂舞壁畫大小均等共10幅,將十位正在起舞弄樂的女伎置于相對獨立畫面中,以圖像的形式再現(xiàn)了李唐王朝的社會變遷和風(fēng)俗禮儀,內(nèi)含豐富的文化意蘊和象征意義。本文以嘯伎圖展開探討,旨在說明,嘯作為中古時期較為特殊的一種音樂表現(xiàn)手法,彰顯了中古士林自我情趣的狂放自由和道教通靈升仙的隱秘色彩。
文內(nèi)圖片：
圖片說明：舞伎和擊磬伎
[Abstract]:A group of music and dance murals were unearthed at the tomb of Princess Wei of Tang Taizong in Zhaoling. This group of music and dance murals have a total of 10 equal sizes. Ten female kabuki who are dancing and playing music are placed in a relatively independent picture, and the social changes and customs and etiquette of the Li and Tang dynasties are reproduced in the form of images, which contain rich cultural implication and symbolic significance. The purpose of this paper is to show that Xiao, as a special musical expression technique in the Middle Ages, shows the wild freedom of the self-interest of the Middle Ancient Shilin and the secret color of Taoist psychic promotion to immortals.
【作者單位】： 陜西師范大學(xué)音樂學(xué)院;
【基金】：2015年國家社會科學(xué)基金項目(項目號:15BMZ031) 陜西省社會科學(xué)基金項目(2014I06) 陜西師范大學(xué)教師教育研究項目(JSJY2015J12)研究成果
【分類號】：K879.41

【參考文獻】

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