西夏文物上的牡丹紋與蓮花紋研究
[Abstract]:In this paper, the archaeological typology of peony pattern and lotus pattern on Xixia cultural relics is studied, and the development stage is divided into three stages. the first stage is from the beginning of the founding of the people's Republic of China to Huizong Bingchang (AD 1038-1086), and the peony grain is not yet popular. Lotus pattern has been widely used as a mainstream decoration. The second phase is from the late period of Huizong Bingchang to Huanzong pure yP (AD 1086-1206). The peony grain has entered a period of rapid development and matured day by day, and the lotus pattern continues to develop, but the style is not as rich as before. The third stage is Huanzong pure yP from the late stage to the last emperor wM (AD 1206-1227). The peony lines and lotus lines in this period have entered the decline period. Through the evolution and development of the three periods, this paper arranges the change and development process of these two main ornamentation systems, sums up the style characteristics of peony grain and lotus pattern in the Western Xia Dynasty, and holds that the complicated changes of their ornaments have their own national characteristics. It can not be separated from the influence of the surrounding nationalities and cultures on it. While learning and groping, it constantly absorbs better culture, merges its own national style, and finally forms its unique peony pattern and lotus pattern. Finally, the age of cultural relics with lotus pattern and peony pattern is discussed.
【學(xué)位授予單位】:蘭州大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2016
【分類號】:K876.3
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