北朝到五代中原北方佛像帶結(jié)研究
發(fā)布時(shí)間：2019-04-02 06:15
【摘要】：北朝到五代,統(tǒng)治者大力開(kāi)窟造像,佛教得到發(fā)展。隨著佛教文化與中原文化的交融,佛像的帶結(jié)也呈現(xiàn)出多元化的特征。在資料收集和文獻(xiàn)考察的基礎(chǔ)上,本文對(duì)佛像的帶結(jié)進(jìn)行分類(lèi)、分型、分區(qū)研究,概括不同時(shí)期和不同地區(qū)佛像帶結(jié)的演變規(guī)律,以明晰北朝到五代北方佛像帶結(jié)的風(fēng)格樣式、演變及其傳播格局。佛像帶結(jié)的細(xì)微變化,與文化交流、審美等因素相關(guān),因此對(duì)佛像帶結(jié)予以科學(xué)解讀,并以帶結(jié)為契機(jī),以小見(jiàn)大,從而展現(xiàn)佛教服飾發(fā)展的豐富內(nèi)涵。分類(lèi)是本文的基礎(chǔ)所在。本文的寫(xiě)作框架由四章構(gòu)成。第一章緒論部分簡(jiǎn)述了北朝到五代的社會(huì)背景,介紹了各位學(xué)者對(duì)佛像帶結(jié)的研究現(xiàn)狀,闡明了論文的資料來(lái)源。在此基礎(chǔ)上,通過(guò)對(duì)社會(huì)背景的整體把握,吸收各位學(xué)者的研究成果,并歸納和分析所收集的資料,對(duì)論文的寫(xiě)作有一個(gè)全面構(gòu)思,提出本篇論文的創(chuàng)新之處。第二章、三章、四章以時(shí)間為脈絡(luò),對(duì)北朝、隋唐、五代時(shí)期,中原北方佛像帶結(jié)的進(jìn)行簡(jiǎn)要論述,運(yùn)用類(lèi)型學(xué)的研究方法,對(duì)北方佛像帶結(jié)進(jìn)行分區(qū)、分期、分類(lèi)的初步探究,從而對(duì)北朝到五代中原北方各個(gè)時(shí)期的帶結(jié)有一個(gè)相對(duì)準(zhǔn)確的認(rèn)識(shí)。結(jié)語(yǔ)部分,在對(duì)各個(gè)時(shí)期的帶結(jié)研究基礎(chǔ)上,進(jìn)行總結(jié)和整理,從而明晰北朝到五代中原北方佛像帶結(jié)的演變規(guī)律。附圖部分是對(duì)文章所描述佛像帶結(jié)的一個(gè)圖示。
[Abstract]:From the Northern Dynasty to the five dynasties, the rulers made great efforts to create statues of grottoes and Buddhism developed. With the blending of Buddhist culture and Central Plains culture, the tie-knot of Buddha statues also presents diversified characteristics. On the basis of data collection and literature review, this paper classifies, classifies and divides the tie-knot of Buddha statues, generalizes the evolution rules of the tie-knot of Buddha statues in different periods and regions, in order to clarify the style of the tie-knot styles of the Buddha statues from the Northern Dynasty to the five dynasties. Evolution and its spread pattern. The subtle changes in the tie-knot of Buddha statues are related to cultural exchange, aesthetic factors and so on. Therefore, a scientific interpretation of the tie-knot of Buddha statues is carried out, and the whole is seen through a small part of the opportunity, thus showing the rich connotation of the development of Buddhist clothing. Classification is the basis of this paper. The writing frame of this paper consists of four chapters. The first chapter briefly introduces the social background from the Northern Dynasty to the five dynasties, introduces the current situation of the scholars' research on the tie knot of Buddha statues, and clarifies the data sources of the thesis. On this basis, through the overall grasp of the social background, absorb the research results of the scholars, and summarize and analyze the collected data, have a comprehensive idea of the writing of the paper, put forward the innovation of this paper. The second chapter, the third chapter and the fourth chapter, taking time as the context, briefly discuss the tie-knot of the Buddha statues in the Northern Dynasty, Sui and Tang dynasties and five dynasties, and use the typological research method to divide and divide the northern Buddhist statues into different regions and stages. From Northern Dynasty to five dynasties, there is a relatively accurate understanding of the tie knot in the north of the Central Plains from the Northern Dynasty to the five dynasties. The conclusion part, on the basis of the research on the tie knot in each period, summarizes and arranges the evolution law of the north Buddha statues from the Northern Dynasty to the five dynasties in the Central Plains. The attached section is an illustration of the knotted image of the Buddha described in the article.
【學(xué)位授予單位】：山西大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類(lèi)號(hào)】：K879.3
本文編號(hào)：2452322
[Abstract]:From the Northern Dynasty to the five dynasties, the rulers made great efforts to create statues of grottoes and Buddhism developed. With the blending of Buddhist culture and Central Plains culture, the tie-knot of Buddha statues also presents diversified characteristics. On the basis of data collection and literature review, this paper classifies, classifies and divides the tie-knot of Buddha statues, generalizes the evolution rules of the tie-knot of Buddha statues in different periods and regions, in order to clarify the style of the tie-knot styles of the Buddha statues from the Northern Dynasty to the five dynasties. Evolution and its spread pattern. The subtle changes in the tie-knot of Buddha statues are related to cultural exchange, aesthetic factors and so on. Therefore, a scientific interpretation of the tie-knot of Buddha statues is carried out, and the whole is seen through a small part of the opportunity, thus showing the rich connotation of the development of Buddhist clothing. Classification is the basis of this paper. The writing frame of this paper consists of four chapters. The first chapter briefly introduces the social background from the Northern Dynasty to the five dynasties, introduces the current situation of the scholars' research on the tie knot of Buddha statues, and clarifies the data sources of the thesis. On this basis, through the overall grasp of the social background, absorb the research results of the scholars, and summarize and analyze the collected data, have a comprehensive idea of the writing of the paper, put forward the innovation of this paper. The second chapter, the third chapter and the fourth chapter, taking time as the context, briefly discuss the tie-knot of the Buddha statues in the Northern Dynasty, Sui and Tang dynasties and five dynasties, and use the typological research method to divide and divide the northern Buddhist statues into different regions and stages. From Northern Dynasty to five dynasties, there is a relatively accurate understanding of the tie knot in the north of the Central Plains from the Northern Dynasty to the five dynasties. The conclusion part, on the basis of the research on the tie knot in each period, summarizes and arranges the evolution law of the north Buddha statues from the Northern Dynasty to the five dynasties in the Central Plains. The attached section is an illustration of the knotted image of the Buddha described in the article.
【學(xué)位授予單位】：山西大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類(lèi)號(hào)】：K879.3
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