【摘要】：有關(guān)“樞府”款瓷的記載，最早見之于明初曹昭《格古要論》。但介紹甚為簡略，，并未述及銘文之所指及其用途等諸方面。此后，所見諸文獻(xiàn)亦多沿襲此說。自二十世紀(jì)六十年代中后期，元大都遺址出土了一定數(shù)量帶有“樞府”字樣的樞府瓷。與此同時，在窯址、沉船、墓葬等遺存中亦陸續(xù)出土了一批“樞府”款瓷。隨之，對于此類銘文樞府瓷的研究工作逐漸展開，并取得了一定成果。本文試在前人研究基礎(chǔ)之上，重新梳理已往考古和相關(guān)文獻(xiàn)資料，擬對景德鎮(zhèn)元代“樞府”款瓷纏枝花卉的命名、設(shè)計樣稿版本、樣稿相對年代、使用對象、用途、燒造年代、燒造機構(gòu)等問題做進一步探討，并從元代“樞府”款瓷的燒造來探討其對景德鎮(zhèn)地區(qū)制瓷業(yè)的影響等相關(guān)問題。
[Abstract]:Regarding the record of "Pivot House" style porcelain, Yu Ming was the first to see Cao Zhao, "on Gegu." But the introduction is very brief, does not mention the inscription and its uses and other aspects. Since then, many of the literature has followed this view. Since the mid-late 1960s, the ruins of the Yuan Dynasty have unearthed a certain number of Pivot porcelain with the words "Pivot House". At the same time, kiln sites, shipwrecks, tombs and other remains have also unearthed a batch of "Pivot House"-style porcelain. As a result, the research work on this kind of inscription porcelain has been carried out gradually, and some achievements have been obtained. On the basis of previous studies, this paper tries to rearrange the past archaeology and related literature materials, and proposes to name the "Pivot House" style porcelain-entangled flowers in Jingdezhen Yuan Dynasty, design the version of the sample manuscript, the relative age of the sample manuscript, the object of use, the age of burning, and so on. The problems of burning mechanism and so on are further discussed, and the influence on porcelain industry in Jingdezhen area is discussed from the firing of "Pivot House" type porcelain in Yuan Dynasty.
【學(xué)位授予單位】：景德鎮(zhèn)陶瓷學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：K876.3

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