【摘要】： 商、西周青銅器的研究,歷來受到學(xué)術(shù)界的重視,但是青銅器上的寫實動物紋飾研究,由于器物數(shù)量較少、流行時間較短、器物類型單一等原因,還留有較大的研究空間。隨著青銅器研究的不斷深入,青銅器紋飾,尤其是幻想動物紋飾和寫實動物紋飾的研究越來越受到重視,不斷有新的論文和專著出現(xiàn),填補了青銅器紋飾研究的空白。 本文以商、西周時期的青銅器寫實動物紋飾為主要研究對象,運用考古類型學(xué)的理論和方法,對所搜集到的商、西周青銅器寫實動物紋飾進(jìn)行分型分式。通過對不同時期、不同地域、不同器物上的寫實動物紋飾的研究,從中總結(jié)出寫實動物紋飾流行的時代、區(qū)域,以及紋飾裝飾的意義、位置和組合規(guī)律。 商、西周青銅器上的寫實動物紋飾,體現(xiàn)了商、西周兩個王朝不同的宗教信仰和社會制度之間的關(guān)系。寫實動物紋飾最為流行的時代正是商王需要借助自然神力進(jìn)行神權(quán)統(tǒng)治的時期,而西周在神權(quán)之外更加強調(diào)人治,通過一系列制度的建立,西周王室鞏固了統(tǒng)治基礎(chǔ),從而不再需要動物紋飾所代表的自然力量的協(xié)助,青銅器上的寫實動物紋飾隨之大量減少。本文將分為緒論、寫實動物紋飾類型學(xué)分析、寫實動物紋飾在青銅器中的分布意義、寫實動物紋飾所體現(xiàn)的社會變動及原因分析和結(jié)論五部分來進(jìn)行論述。
[Abstract]:The research on bronze ware in Western Zhou Dynasty has always been paid attention to by academic circles, but the study of realistic animal ornaments on bronze ware still has a great space for study because of its small quantity, short time of popularity and single type of utensils. With the development of bronze ware research, more and more attention has been paid to bronze ornaments, especially fantasy animal ornaments and realistic animal ornaments. New papers and monographs have appeared, which have filled the blank in the research of bronze ornaments. Based on the theory and method of archaeological typology, this paper takes Shang, Western Zhou Dynasty bronze realistic animal ornaments as the main research object, and classifies the collected Shang and Western Zhou bronze realistic animal ornaments. Through the study of realistic animal ornaments in different periods, different regions and different objects, this paper summarizes the popular times, regions, and the significance, position and combination rules of realistic animal ornaments. Shang, the realistic animal ornaments on the bronze ware of the Western Zhou Dynasty, embodied the relationship between the different religious beliefs and social systems of the Shang and the Western Zhou dynasties. The most popular era of realistic animal ornaments was the period when the Shang King needed the help of natural divine power to govern theocrats, and the Western Zhou Dynasty emphasized the rule of man in addition to theocracy. Through the establishment of a series of systems, the royal family of the Western Zhou Dynasty consolidated the ruling foundation. It no longer needs the assistance of the natural forces represented by animal ornaments, and the realistic animal ornaments on bronze ware are greatly reduced. This paper is divided into five parts: introduction, analysis of realistic animal decoration typology, distribution significance of realistic animal decoration in bronze ware, social change and reason analysis and conclusion of realistic animal decoration.
【學(xué)位授予單位】：西北大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2010
【分類號】：K876.41

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 張巖;古中國與古希臘青銅神獸紋飾對話[D];武漢理工大學(xué);2013年

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本文編號：2424953