【摘要】：本文主要對解放以來徐州地區(qū)科學(xué)發(fā)掘和征集的漢畫像石進(jìn)行了初步的整理,依據(jù)各種材料,從漢畫像石所體現(xiàn)的當(dāng)時社會風(fēng)貌和思想狀態(tài)以及畫像石的設(shè)計理念和雕刻風(fēng)格入手,系統(tǒng)闡述了徐州地區(qū)作為漢代畫像石發(fā)源和聚集地之一的地區(qū)特征。 全文主要從三個大的方面對徐州地區(qū)漢畫像石進(jìn)行論述,一方面是徐州地區(qū)漢畫像石集中分布的原因和產(chǎn)生的社會背景；一方面是徐州地區(qū)漢畫像石的題材和內(nèi)容,主要分為兩類：一類是以浪漫主義手法,墓主人為達(dá)到死后升入仙界與神仙們共游的愿望而創(chuàng)造出幻念中天上神仙們的自由世界和祥禽瑞獸圖文裝飾；一類是以現(xiàn)實主義手法,再現(xiàn)人世間的現(xiàn)實生活,描繪墓主人生前的享樂場景和死后的哀榮,真實地記錄了漢人的思想追求和生活狀況。一方面是徐州漢畫像石的藝術(shù)表現(xiàn)形式和特征,在此分為兩類：一類是從雕刻手法描述,在概括漢畫像石整體雕刻手法的基礎(chǔ)上提出徐州地區(qū)漢畫像石的主要雕刻手法為“粗面陽刻”和“剔地淺浮雕”；另一類是從構(gòu)圖技巧上進(jìn)行論述,主要是構(gòu)圖整體充盈豐滿,線和面的完美結(jié)合使整體圖畫充滿藝術(shù)感染力,突出體現(xiàn)了徐州地區(qū)漢畫像石以情動人的藝術(shù)表現(xiàn)手法。 最后對徐州地區(qū)漢畫像石所反映的歷史文化、雕刻藝術(shù)等的區(qū)域性特征進(jìn)行了初步的探討和總結(jié)。
[Abstract]:This article mainly carries on the preliminary arrangement to the Han Dynasty portrait stone which has been excavated and collected scientifically since the liberation of Xuzhou area, according to various materials, Starting from the social features and ideological state of the Han Dynasty and the design concept and carving style of the stone, this paper systematically expounds the regional characteristics of Xuzhou as one of the origins and gathering places of the stone relief in the Han Dynasty. This paper mainly discusses the Han stone in Xuzhou from three aspects, on the one hand, the reason and social background of the concentrated distribution of Han stone in Xuzhou; On the one hand, the subject matter and content of the Han Dynasty stone relief in Xuzhou region are divided into two categories: one is the Romantic approach. The owner of the tomb created the free world of the heavenly gods and the picture and text decoration of the auspicious birds and beasts in order to reach the desire to travel together with the immortals and the immortals after death. One is the realistic way to reproduce the real life of the world, depicting the scene of the tomb owner's enjoyment before death and the mourning after death, which truly records the Han people's ideological pursuit and living conditions. On the one hand, there are two types of artistic expression and characteristics of the Han Dynasty stone relief in Xuzhou. One is to describe the stone from the means of carving. On the basis of summing up the whole carving technique of Han Dynasty stone relief, the paper puts forward that the main engraving techniques of the Han stone in Xuzhou area are "coarse face sun carving" and "shading shallow relief carving". The other is to discuss from the composition technique, mainly is the composition of the whole full and full, the perfect combination of line and surface makes the whole picture full of artistic appeal, and highlights the artistic expression of the Han Dynasty stone in Xuzhou area. Finally, the regional characteristics of historical culture, carving art and so on reflected by Han stone sculptures in Xuzhou area are preliminarily discussed and summarized.
【學(xué)位授予單位】：安徽大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2011
【分類號】：K879.4

【參考文獻(xiàn)】

相關(guān)期刊論文 前8條

1 宋巖泉;魯東南與蘇北漢畫像石之比較[J];東南文化;1997年04期

2 李發(fā)林;;略談漢畫像石的雕刻技法及其分期[J];考古;1965年04期

3 王黎琳;;論徐州漢畫像石[J];文物;1980年02期

4 楊泓;;談中國漢唐之間葬俗的演變[J];文物;1999年10期

5 李發(fā)林;;漢畫像石的雕刻技法問題補談[J];中原文物;1989年01期

6 王愷;蘇魯豫皖交界地區(qū)漢畫像石墓的分期[J];中原文物;1990年01期

7 李銀德;徐州漢畫像石墓墓主身份考[J];中原文物;1993年02期

8 劉尊志;;徐州地區(qū)早期漢畫像石的產(chǎn)生及相關(guān)問題[J];中原文物;2008年04期

，

本文編號：2422734