【摘要】：2005年,西北大學文化遺產(chǎn)學院的師生在對巴里坤石人子溝遺址調(diào)查時獲取了豐富的巖畫資料。由于巖畫數(shù)量的豐富,在遺址內(nèi)還分布有其他類型的考古遺存,以及在以往的研究中對該遺址巖畫的研究并不充分,使得對于這批巖畫資料的整理及進一步研究極為必要。本文即在此基礎(chǔ)上進行寫作。 全文除結(jié)語外共分為五章。第一章及第二章對巖畫的一些基本情況進行了介紹,包括其研究現(xiàn)狀,研究方法以及該遺址的基本情況。第三章則運用考古學的方法對這批資料進行了整理分析—即挑取畫面豐富,打破關(guān)系眾多的復雜巖面作為典型巖面,通過考古地層學原理的引入對處于同一巖石面上的巖畫進行分“幅”,再通過考古類型學對巖畫進行分組。第四章,則在第三章對典型巖面的分“組”的基礎(chǔ)上,對整個遺址的巖畫進行分組,并進一步分期。第五章,則將該遺址區(qū)中的墓葬,建筑遺跡等其他遺存,與巖畫綜合研究,互相印證,進一步證實巖畫在考古學研究中的重要地位。同時與其他地區(qū)巖畫資料以及出土遺物上的花紋的比較研究更加豐富了對于該遺址巖畫研究的內(nèi)涵。 本文對于石人子溝遺址巖畫資料的整理,再一次驗證了將地層學以及類型學引入巖畫研究的可行性。同時,石人子溝遺址內(nèi)巖畫、墓葬、居址共存的情況為從考古學入手對巖畫進行研究提供了條件。
[Abstract]:In 2005, the teachers and students of the School of Cultural Heritage of Northwestern University obtained abundant rock painting materials when investigating the ruins of Balikun Shirenzigou. Because of the abundance of rock paintings, there are other types of archaeological remains distributed in the site, and the previous studies on the rock paintings of the site are not sufficient, so it is very necessary to arrange and further study the materials of these rock paintings. This paper is based on this. In addition to the conclusion, the full text is divided into five chapters. The first and second chapters introduce the basic situation of rock painting, including its research status, research methods and the basic situation of the site. In the third chapter, archaeological methods are used to sort out and analyze the data-that is, to pick up rich pictures and break down the complex rock surfaces with numerous relationships as typical rock faces. By introducing the principle of archaeological stratigraphy, the rock paintings on the same rock surface are divided into "amplitudes" and then grouped by archaeological typology. In the fourth chapter, on the basis of dividing the typical rock face into groups, the rock paintings of the whole site are grouped and further divided. In the fifth chapter, the tombs, architectural relics and other remains in the site area are confirmed with the comprehensive study of rock paintings, further confirming the important position of rock paintings in archaeological research. At the same time, it enriches the connotation of the research on the rock painting of the site by comparing it with other rock painting materials and the patterns on the unearthed relics. In this paper, the feasibility of introducing stratigraphy and typology into the study of rock paintings is verified once again by arranging the data of rock paintings at Shirenzigou site. At the same time, the coexistence of rock paintings, tombs and residences in Shirenzigou site provides conditions for the study of rock paintings from archaeology.
【學位授予單位】：西北大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：K879.4

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相關(guān)期刊論文 前1條

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本文編號：2412867