【摘要】：縱觀景德鎮(zhèn)陶瓷的歷史，，會(huì)發(fā)現(xiàn)存在著一種瓷器完全未得到異文化的影響，從誕生至今數(shù)百年來(lái)，始終恪守中國(guó)的古老傳統(tǒng)，它就是古彩瓷。古彩瓷作為唯一未在景德鎮(zhèn)之外的地域落地生根的珍貴瓷種，推進(jìn)景德鎮(zhèn)陶瓷的發(fā)展邁向廣闊的領(lǐng)域。特別是現(xiàn)代古彩以繼承傳統(tǒng)古彩為基礎(chǔ)，在裝飾手段、表現(xiàn)方式、器物造型等方面都有了進(jìn)一步的發(fā)展，融匯成一種新的藝術(shù)，獨(dú)具特色。探究古彩瓷在中國(guó)傳統(tǒng)美學(xué)思想方面的各種特點(diǎn)，因而具有十分顯著的內(nèi)涵與意義。 本論文通過(guò)研究古彩瓷的中國(guó)傳統(tǒng)美學(xué)思想，針對(duì)古彩瓷不同歷史時(shí)期的藝術(shù)特點(diǎn)和美學(xué)特征進(jìn)行了剖析。探究古彩瓷形成的歷史背景、演變過(guò)程和地域特色；梳理古彩瓷的創(chuàng)作題材、要素和藝術(shù)特點(diǎn)；分層次地分別研究古彩瓷不同歷史時(shí)期的藝術(shù)風(fēng)格，重點(diǎn)闡述了古彩瓷的鼎盛時(shí)期，更從側(cè)面突出當(dāng)時(shí)的民俗文化和審美理論對(duì)古彩瓷發(fā)展的影響效果；繼而更深層次地探究古彩瓷介于傳承與創(chuàng)新之間的聯(lián)系；最后對(duì)古彩瓷的美學(xué)思想進(jìn)行總結(jié)。其中，以戴榮華等陶瓷藝術(shù)大師作品風(fēng)格為例，在傳承與創(chuàng)新之間探究其契合點(diǎn)，有利于將其理論化、學(xué)術(shù)化，用以指導(dǎo)創(chuàng)作實(shí)踐。
[Abstract]:Throughout the history of Jingdezhen ceramics, we can find that there is a kind of porcelain completely unaffected by different cultures. Since its birth hundreds of years ago, it has always adhered to the ancient Chinese tradition, which is the ancient colored porcelain. As the only precious porcelain that has not taken root in the area outside Jingdezhen, the ancient colored porcelain advances the development of Jingdezhen ceramics into a wide field. Especially, the modern ancient color is based on inheriting the traditional color. It has further developed in the aspects of decoration means, expression mode, object modeling and so on, and has merged into a new art with unique characteristics. It is of great significance and connotation to probe into the characteristics of ancient colored porcelain in Chinese traditional aesthetic thought. This paper analyzes the artistic and aesthetic characteristics of ancient colored porcelain in different historical periods by studying its Chinese traditional aesthetic thought. This paper explores the historical background, evolution process and regional characteristics of the formation of ancient colored porcelain, combs the themes, elements and artistic characteristics of ancient colored porcelain. The art style of the ancient color porcelain in different historical periods is studied in different levels, and the influence of the folk culture and aesthetic theory on the development of the ancient color porcelain is highlighted from the side. Then it further explores the relationship between inheritance and innovation of ancient colored porcelain. Finally, it summarizes the aesthetic thought of ancient colored porcelain. Among them, taking Dai Ronghua and other ceramic art masters as an example, to explore the joint between inheritance and innovation is conducive to its theorization, academic, to guide the creative practice.
【學(xué)位授予單位】：景德鎮(zhèn)陶瓷學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類(lèi)號(hào)】：K876.3

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