發(fā)布時間：2019-01-05 10:09

【摘要】：淮河中下游地區(qū)北至沂沭泗流域分界；南以大別山脈及通揚運河、東串場河與長江中下游北岸皖河、巢湖、滁河等水系分界；西以淮河支流的洪河口為界,東臨黃海。大部分為平原地區(qū),屬于黃淮海大平原,這里雨量充沛,土地肥沃,氣候溫和,植被茂盛,物產(chǎn)豐富,十分適宜人類居住�；春恿饔蚍植嫉拇罅康男率鲿r代遺址充分證明,早在新石器時代,淮河流域的先民們,就已經(jīng)在這塊土地上繁衍、.生息。這里出土較多的新石器時代彩陶,其典型的器形、繁雜的紋飾、亮麗的色彩,讓人驚奇。 本文利用大量的考古發(fā)掘資料,運用考古地層學、考古類型學、文化因素分析法等對淮河中下游出土的新石器時代彩陶進行分析。第一章主要介紹淮河中下游地區(qū)新石器時代彩陶的出土及分布情況；第二章主要對淮河中下游的新石器時代彩陶進行分期；第三章根據(jù)淮河中下游新石器彩陶的分布情況,將期主要分為三個大區(qū)域；第四章將淮河中下游各大區(qū)域之間的彩陶,以及與鄰近地區(qū)的彩陶進行比較；結(jié)語主要通過彩陶的比較,談新石器時代各類型文化之間的相互交流。 通過研究,淮河中下游地區(qū)的新石器時代彩陶在早期主要是收到裴李崗—仰韶文化的影響,大汶口文化早期后段,收到仰韶文化廟底溝類型的強烈影響,大汶口中期,大汶口文化強勢崛起,反過來對仰韶文化有較大影響。 淮河中下游地區(qū)一直是中國新石器時代文化交流的過渡地帶,這里的文化面貌呈現(xiàn)復雜性。通過對該地區(qū)新石器時代文化的彩陶的研究,有利于該地區(qū)新石器時代文化面貌的研究,也有利于整個淮系大文化的確立。
[Abstract]:The middle and lower reaches of the Huaihe River reach the boundary of Yishusi basin to the north, to the south is the Dabie Mountains and the Tongyang Canal, the Dongchuanchang River is separated from the Anhui, Chaohu and Chuhe rivers on the north bank of the middle and lower reaches of the Yangtze River, and to the west is the river mouth of the Huaihe River tributaries, which is bounded by Huang Hai in the east. Most of the plain areas belong to the Huang-Huai-Hai Great Plain, which has abundant rainfall, fertile land, mild climate, lush vegetation and rich products, so it is very suitable for human habitation. The large number of Neolithic sites distributed in the Huaihe River Basin fully proves that as early as the Neolithic Age, the ancestors of the Huaihe River Basin had already multiplied on this land. Interest is born. Here unearthed more Neolithic painted pottery, its typical device shape, complex patterns, bright colors, amazing. In this paper, the Neolithic colored pottery unearthed in the middle and lower reaches of the Huaihe River is analyzed by using a lot of archaeological excavations, archaeological stratigraphy, archaeological typology and cultural factor analysis. The first chapter mainly introduces the unearthed and distributed situation of the Neolithic colored pottery in the middle and lower reaches of the Huaihe River, the second chapter mainly stages the Neolithic painted pottery in the middle and lower reaches of the Huaihe River. According to the distribution of Neolithic pottery in the middle and lower reaches of the Huaihe River, the third chapter divides the period into three major regions, the fourth chapter compares the painted pottery in the middle and lower reaches of the Huaihe River with that in the adjacent areas. Through the comparison of painted pottery, the conclusion talks about the exchange of different cultures in the Neolithic Age. According to the research, the Neolithic pottery in the middle and lower reaches of the Huaihe River was mainly influenced by Peiligang Yangshao culture in the early stage, and strongly influenced by the type of temple bottom ditch in the early period of Dawenkou culture. The strong rise of Dawenkou culture, in turn, has a greater impact on Yangshao culture. The middle and lower reaches of the Huaihe River have been the transitional zone of Neolithic cultural exchange in China. The study on the painted pottery of Neolithic culture in this area is beneficial to the study of the cultural features of the Neolithic era and the establishment of the whole Huai culture.
【學位授予單位】：安徽大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：K876.3

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