【摘要】：淮河中下游地區(qū)北至沂沭泗流域分界；南以大別山脈及通揚(yáng)運(yùn)河、東串場(chǎng)河與長(zhǎng)江中下游北岸皖河、巢湖、滁河等水系分界；西以淮河支流的洪河口為界,東臨黃海。大部分為平原地區(qū),屬于黃淮海大平原,這里雨量充沛,土地肥沃,氣候溫和,植被茂盛,物產(chǎn)豐富,十分適宜人類居住。淮河流域分布的大量的新石器時(shí)代遺址充分證明,早在新石器時(shí)代,淮河流域的先民們,就已經(jīng)在這塊土地上繁衍、.生息。這里出土較多的新石器時(shí)代彩陶,其典型的器形、繁雜的紋飾、亮麗的色彩,讓人驚奇。 本文利用大量的考古發(fā)掘資料,運(yùn)用考古地層學(xué)、考古類型學(xué)、文化因素分析法等對(duì)淮河中下游出土的新石器時(shí)代彩陶進(jìn)行分析。第一章主要介紹淮河中下游地區(qū)新石器時(shí)代彩陶的出土及分布情況；第二章主要對(duì)淮河中下游的新石器時(shí)代彩陶進(jìn)行分期；第三章根據(jù)淮河中下游新石器彩陶的分布情況,將期主要分為三個(gè)大區(qū)域；第四章將淮河中下游各大區(qū)域之間的彩陶,以及與鄰近地區(qū)的彩陶進(jìn)行比較；結(jié)語(yǔ)主要通過(guò)彩陶的比較,談新石器時(shí)代各類型文化之間的相互交流。 通過(guò)研究,淮河中下游地區(qū)的新石器時(shí)代彩陶在早期主要是收到裴李崗—仰韶文化的影響,大汶口文化早期后段,收到仰韶文化廟底溝類型的強(qiáng)烈影響,大汶口中期,大汶口文化強(qiáng)勢(shì)崛起,反過(guò)來(lái)對(duì)仰韶文化有較大影響。 淮河中下游地區(qū)一直是中國(guó)新石器時(shí)代文化交流的過(guò)渡地帶,這里的文化面貌呈現(xiàn)復(fù)雜性。通過(guò)對(duì)該地區(qū)新石器時(shí)代文化的彩陶的研究,有利于該地區(qū)新石器時(shí)代文化面貌的研究,也有利于整個(gè)淮系大文化的確立。
[Abstract]:The middle and lower reaches of the Huaihe River reach the boundary of Yishusi basin to the north, to the south is the Dabie Mountains and the Tongyang Canal, the Dongchuanchang River is separated from the Anhui, Chaohu and Chuhe rivers on the north bank of the middle and lower reaches of the Yangtze River, and to the west is the river mouth of the Huaihe River tributaries, which is bounded by Huang Hai in the east. Most of the plain areas belong to the Huang-Huai-Hai Great Plain, which has abundant rainfall, fertile land, mild climate, lush vegetation and rich products, so it is very suitable for human habitation. The large number of Neolithic sites distributed in the Huaihe River Basin fully proves that as early as the Neolithic Age, the ancestors of the Huaihe River Basin had already multiplied on this land. Interest is born. Here unearthed more Neolithic painted pottery, its typical device shape, complex patterns, bright colors, amazing. In this paper, the Neolithic colored pottery unearthed in the middle and lower reaches of the Huaihe River is analyzed by using a lot of archaeological excavations, archaeological stratigraphy, archaeological typology and cultural factor analysis. The first chapter mainly introduces the unearthed and distributed situation of the Neolithic colored pottery in the middle and lower reaches of the Huaihe River, the second chapter mainly stages the Neolithic painted pottery in the middle and lower reaches of the Huaihe River. According to the distribution of Neolithic pottery in the middle and lower reaches of the Huaihe River, the third chapter divides the period into three major regions, the fourth chapter compares the painted pottery in the middle and lower reaches of the Huaihe River with that in the adjacent areas. Through the comparison of painted pottery, the conclusion talks about the exchange of different cultures in the Neolithic Age. According to the research, the Neolithic pottery in the middle and lower reaches of the Huaihe River was mainly influenced by Peiligang Yangshao culture in the early stage, and strongly influenced by the type of temple bottom ditch in the early period of Dawenkou culture. The strong rise of Dawenkou culture, in turn, has a greater impact on Yangshao culture. The middle and lower reaches of the Huaihe River have been the transitional zone of Neolithic cultural exchange in China. The study on the painted pottery of Neolithic culture in this area is beneficial to the study of the cultural features of the Neolithic era and the establishment of the whole Huai culture.
【學(xué)位授予單位】：安徽大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：K876.3

【參考文獻(xiàn)】

相關(guān)期刊論文 前10條

1 周崇云;淮河流域史前文化形成和發(fā)展的基礎(chǔ)——關(guān)于淮河流域原始經(jīng)濟(jì)的探討[J];安徽大學(xué)學(xué)報(bào);1999年05期

2 陸勤毅;中國(guó)新石器時(shí)代南北文化交流的重要地區(qū)[J];安徽大學(xué)學(xué)報(bào);1997年03期

3 ;江蘇新沂花廳遺址1987年發(fā)掘紀(jì)要[J];東南文化;1988年02期

4 谷建祥,尹增淮;江蘇沭陽(yáng)萬(wàn)北遺址試掘的初步收獲[J];東南文化;1988年02期

5 高一龍,吳建民,李為民;安徽六安王大崗遺址發(fā)掘紀(jì)要[J];東南文化;1991年02期

6 ;江蘇沭陽(yáng)萬(wàn)北遺址新石器時(shí)代遺存發(fā)掘簡(jiǎn)報(bào)[J];東南文化;1992年01期

7 蔣素華;論江蘇彩陶紋飾構(gòu)成要素[J];東南文化;2000年05期

8 董俊卿;朱鐵權(quán);毛振偉;張愛(ài)冰;闞緒杭;張茂林;黃宇營(yíng);何偉;;雙墩遺址、侯家寨遺址彩陶與紅衣陶制作工藝的初步研究[J];東南文化;2006年01期

9 何德亮;;大汶口文化彩陶的藝術(shù)特征[J];東南文化;2008年04期

10 楊育彬;孫廣清;;淮河流域古文化與中華文明[J];東岳論叢;2006年02期

相關(guān)會(huì)議論文 前1條

1 邵望平;高廣仁;;淮系古文化概說(shuō)[A];中國(guó)史前考古學(xué)研究——祝賀石興邦先生考古半世紀(jì)暨八秩華誕文集[C];2004年

，

本文編號(hào)：2401621