【摘要】： 本文從碑刻形制的角度出發(fā),探討云南地區(qū)一種特殊形制的碑——圓首冠形碑的淵源。筆者通過(guò)資料收集,整理出了兩百一十通圓首冠形碑的數(shù)據(jù),并按照碑刻內(nèi)容的性質(zhì)將其分類(lèi),從中分析圓首冠形碑所反映的文化現(xiàn)象。 筆者對(duì)圓首冠形這一形制出現(xiàn)之前的云南碑刻進(jìn)行探討,認(rèn)為云南碑刻自出現(xiàn)以來(lái)一直仿照中原碑刻的形制。而在南詔國(guó)和大理國(guó)時(shí)期,從中原傳入的佛教,特別是密宗對(duì)云南地區(qū)的社會(huì)生活形成了重要的影響,這種影響也體現(xiàn)在了碑刻上,并發(fā)展出了自身的特點(diǎn)。在這樣的背景下,圓首冠形的形制在當(dāng)時(shí)的寺院碑刻中出現(xiàn)了。經(jīng)幢為唐宋時(shí)期盛行的石刻,其在云南更多的是以墓幢的形式出現(xiàn)。在元明兩代,以大理為中心的滇西地區(qū)的火葬墓地中,墓幢與圓首冠形墓碑共同出現(xiàn),本文從造型、紋飾、內(nèi)容方面探討二者之間的聯(lián)系。
[Abstract]:From the angle of inscription form, this paper discusses the origin of a special shape tablet in Yunnan Province. Through data collection, the author collates the data of 210 circular crown tablets, classifies them according to the nature of inscriptions, and analyzes the cultural phenomena reflected by circular crown tablets. The author probes into the Yunnan inscription before the appearance of the circular crown shape, and thinks that the Yunnan inscription has been imitating the shape of the Central Plains inscription since its appearance. In the period of Nanzhao and Dali, the Buddhism introduced from the Central Plains, especially the Tantra, had an important influence on the social life in Yunnan, which was also reflected in the inscription and developed its own characteristics. In this context, the crown shape of the circular head appeared in the monastery inscriptions at that time. Stone carvings are popular in Tang and Song dynasties, and they appear in the form of tombs in Yunnan. In the cremation cemeteries of western Yunnan in the Yuan and Ming dynasties, the tomb block and the circular crown tombstone appeared together. This paper discusses the relationship between them from the aspects of modeling, decoration and content.
【學(xué)位授予單位】：中央民族大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2010
【分類(lèi)號(hào)】：K877.4

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本文編號(hào)：2386184