【摘要】：良渚文化是我國南方以太湖流域為中心的重要的新石器時代文化,主要分布于江浙滬地區(qū),以出土大量的玉器為其獨特特征的史前文化。其中良渚文化玉璧在出土玉器中數(shù)量最多,范圍最廣。自江蘇吳縣草鞋山遺址首次出土良渚文化玉璧以來,在良渚文化分布區(qū)內(nèi)陸續(xù)大量出土。隨后發(fā)表了一系列有關良渚文化玉璧研究的文章及論著,分別從多個角度和不同層面對其進行研究。本文從良渚文化玉璧的考古發(fā)現(xiàn)入手,梳理了良渚文化玉璧研究的歷程。 本文共分為五個部分。 第一部分,前言。此部分先介紹了良渚文化的概念,接著介紹1936年在良渚發(fā)掘的情況,依據(jù)當時的出土物進行資料對比,最初認為是龍山文化的分支,后來還是由夏鼐先生正式提出了良渚文化的命名。然后介紹了良渚文化玉璧,草鞋山遺址的發(fā)掘正式確認了其身份。最后寫了本文的寫作目的及其意義。 第二部分,良渚文化玉璧的考古發(fā)現(xiàn)。本章分為兩個部分,首先,良渚文化玉璧的考古發(fā)現(xiàn)的階段劃分,根據(jù)良渚文化玉璧考古出土的情況將其分為三個階段,分別介紹了各個階段考古出土的情況。其次,按照時間的先后順序詳細地介紹了良渚文化玉璧的出土,并在其后附上良渚文化玉璧考古出土統(tǒng)計表。 第三部分,良渚文化玉璧的研究歷程。首先將良渚文化玉璧的研究劃分為三個階段,介紹了各個階段的研究情況。然后分別介紹從不同角度對良渚文化玉璧進行研究的情況,分為六個角度:祖形與起源、基本形制與質地、玉料來源、制造工藝、紋飾圖案、用途與功能。 第四部分,關于良渚文化玉璧研究中的主要爭鳴和分歧。這一章著重介紹了研究者對良渚文化玉璧同一方面研究的不同看法,即各自的觀點及存在的分歧,并在對比分析各家之說的基礎上提出自己的想法。 第五部分,結語。總結了本文的寫作思路和文章結構,分析目前良渚文化玉璧研究的現(xiàn)狀,都有哪些方面的研究,其中哪個角度或者層面的研究比較多,主流觀點是什么,最后談了一下良渚文化玉璧研究中存在的不足以及對今后研究前景的展望。
[Abstract]:Liangzhu culture is an important Neolithic culture in the Taihu Basin in the south of China. It mainly distributes in Jiangsu, Zhejiang and Shanghai, and takes a large number of jade wares unearthed as its unique prehistoric culture. One of the Liangzhu culture jade unearthed in the largest number, the widest range. Since the first unearthed jade of Liangzhu culture at Caoshushan site, Wuxian, Jiangsu Province, a large number of excavations have been made in the distribution area of Liangzhu Culture. Subsequently, a series of articles and works on the jade of Liangzhu Culture were published, which were studied from various angles and different levels. This paper begins with the archaeological discovery of jade in Liangzhu culture, and combs the course of research on jade in Liangzhu culture. This paper is divided into five parts. The first part, preface. This part first introduces the concept of Liangzhu culture, and then introduces the situation excavated in 1936 in Liangzhu. According to the data of the excavations at that time, it was initially considered to be a branch of Longshan culture. Later, Mr. Xia Nai formally proposed the name of Liangzhu Culture. Then the introduction of the Liangzhu culture jade, Caoshushan site excavation officially confirmed its identity. Finally, the purpose and significance of this paper are given. The second part, the archaeological discovery of the jade of Liangzhu culture. This chapter is divided into two parts. First, the stage of the discovery of jade in Liangzhu culture is divided into three stages according to the unearthed situation of jade bitumen of Liangzhu culture, and the unearthed situation of each stage is introduced respectively. Secondly, the unearthed jade of Liangzhu culture is introduced in detail according to the order of time, and a statistical table of the unearthed jade of Liangzhu culture is attached. The third part, the research process of Liangzhu culture jade. Firstly, the research of jade in Liangzhu culture is divided into three stages. Then it introduces the research of jade from different angles, which is divided into six angles: ancestor and origin, basic shape and texture, source of jade material, manufacturing technology, pattern of decoration, use and function. The fourth part, about Liangzhu culture jade piece research main contention and the disagreement. This chapter mainly introduces the researchers' different views on the same aspect of Liangzhu culture, that is, their own views and differences, and puts forward their own ideas on the basis of comparative analysis of various theories. The fifth part, conclusion. This paper summarizes the writing ideas and the structure of the article, analyzes the current situation of the research of the Liangzhu culture jade, what aspects of the research, which angle or level of research is more, what is the mainstream view, Finally, the paper discusses the deficiency of the research of jade in Liangzhu culture and the prospect of future research.
【學位授予單位】：吉林大學
【學位級別】：碩士
【學位授予年份】：2011
【分類號】：K876.8

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本文編號：2347118