美國波士頓美術館藏北魏永安二年造像碑考
發(fā)布時間：2018-11-03 12:07
【摘要】：永安二年造像碑為北魏后期佛教興盛的產物。流失海外后于1923年入藏美國波士頓美術館。該造像碑上刊刻的佛本行、佛因緣故事,反映當時佛教信仰特點。佛教造像是佛法的方便道,目的是為了證實佛教真諦,造像碑上的高蹺、幢伎雕刻,不可能是普通的百戲娛樂畫面,而是將當時廟堂禮樂納入到敬佛禮樂的寫照。造像圖案和題記所處位置與排列順序均以居中為尊,左右對稱,是中國傳統(tǒng)禮制觀念的縮影,由一區(qū)造像碑可以看出當時邑義組織中的不同身份和嚴格的等級差異。
[Abstract]:Yongan two-year statue tablet is the product of Buddhism prosperity in the late Northern Wei Dynasty. After losing overseas, he entered the Boston Museum of Art in 1923. The inscription on the monument of the Buddha line, the story of karma, reflecting the characteristics of Buddhist faith at that time. Buddhist statues are the convenient way of Buddhist Dharma. The purpose is to prove the true meaning of Buddhism. The stilts on the monument and the sculpture of a geisha can not be an ordinary entertainment picture of a hundred dramas, but a portrayal of the ritual music of the temple hall at that time into the worship of Buddha's rites and music. The position and arrangement order of the image pattern and inscription are all centered and symmetrical, which is the epitome of the traditional Chinese concept of etiquette. The different identities and strict grade differences in the Yi organization at that time can be seen from the statue tablet of one area.
【作者單位】： 中央民族大學考古文博系;
【基金】：國家社科基金一般項目“北魏喪葬中民族融合因素的考古學解讀”(編號16BKG019)階段性成果
【分類號】：K887.12
[Abstract]:Yongan two-year statue tablet is the product of Buddhism prosperity in the late Northern Wei Dynasty. After losing overseas, he entered the Boston Museum of Art in 1923. The inscription on the monument of the Buddha line, the story of karma, reflecting the characteristics of Buddhist faith at that time. Buddhist statues are the convenient way of Buddhist Dharma. The purpose is to prove the true meaning of Buddhism. The stilts on the monument and the sculpture of a geisha can not be an ordinary entertainment picture of a hundred dramas, but a portrayal of the ritual music of the temple hall at that time into the worship of Buddha's rites and music. The position and arrangement order of the image pattern and inscription are all centered and symmetrical, which is the epitome of the traditional Chinese concept of etiquette. The different identities and strict grade differences in the Yi organization at that time can be seen from the statue tablet of one area.
【作者單位】： 中央民族大學考古文博系;
【基金】：國家社科基金一般項目“北魏喪葬中民族融合因素的考古學解讀”(編號16BKG019)階段性成果
【分類號】：K887.12
【相似文獻】
相關期刊論文 前10條
1 杜文杰;“怪圈”依舊——寫在第108屆美國波士頓馬拉松賽之后[J];田徑;2004年06期
2 方征 ,翟智明;經驗·戰(zhàn)術·奪冠——寫在第109屆美國波士頓馬拉松賽之后[J];田徑;2005年06期
3 v繚綴，
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