【摘要】：現(xiàn)藏于韓國(guó)與日本的兩鼎高麗王朝的青銅佛教香爐,實(shí)際上印證了絲綢之路文明傳播過(guò)程中,東羅馬藝術(shù)與唐代中原文明相碰撞交流的史實(shí)。本文針對(duì)兩鼎香爐的器型進(jìn)行溯源研究,還原出高足杯從東羅馬時(shí)期的"圣杯"器型,發(fā)展為中亞伊朗地區(qū)的"鎏金銀高足杯",并在唐代時(shí)期傳入中原與傳統(tǒng)中原器型相結(jié)合產(chǎn)生"唐式高足杯"。在之后的"行香"供佛盛行的社會(huì)背景之下,逐漸演變出一種青銅高足行爐并遠(yuǎn)傳高麗王朝的過(guò)程。
[Abstract]:The bronze Buddhist incense furnaces of the Korean and Japanese dynasties actually confirmed the historical facts of the collision and exchange between the Eastern Roman art and the Central Plains civilization of the Tang Dynasty during the spreading process of the Silk Road civilization. In this paper, the origin of the utensils of the two tripod incense furnaces has been studied, and the Gaozuo cup has been reduced from the "Holy Grail" of the Eastern Rome period to the "Goliu Gold and Silver Gaozuo Cup" in the Iran region of Central Asia. And in the Tang Dynasty introduced into the Central Plains and the traditional Central Plains of the combination of the "Tang-style high-foot cup." Under the prevailing social background of "Xing Xiang" and Buddhism, it gradually evolved a kind of bronze high foot furnace and spread the Koryo dynasty far away.
【作者單位】： 無(wú)錫商業(yè)職業(yè)技術(shù)學(xué)院藝術(shù)設(shè)計(jì)學(xué)院;
【基金】：2015國(guó)家社科基金藝術(shù)學(xué)一般項(xiàng)目“隋唐絲綢之路藝術(shù)東渡入日史探論”(編號(hào):15BG090) 2015江蘇哲學(xué)社會(huì)科學(xué)基金青年項(xiàng)目(編號(hào):15YSC014) 2015江蘇省博士后科研資助項(xiàng)目(編號(hào):1501054A) 2016年度江蘇高�！扒嗨{(lán)工程”優(yōu)秀青年骨干教師
【分類號(hào)】：K86
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本文編號(hào)：2304107