東周秦漢楚式家具研究
發(fā)布時間：2018-10-31 08:07
【摘要】：東周時期楚國注重對漆樹的栽培,楚墓優(yōu)良的防護措施使得楚式漆木家具能夠較多且較完整的保存至今,為今日對這一時期家具的研究提供了寶貴的實物資料。楚式家具代表著我國早期家具的藝術(shù)水平和制作工藝,以其種類豐富、色彩絢麗、浪漫神奇、制作精良等特點,反映出該地區(qū)獨特的文化底蘊及其意識形態(tài)。楚式家具對后代家具制作的藝術(shù)風(fēng)格有著深遠的影響。因此,對楚式家具進行研究可以窺見當(dāng)時社會生產(chǎn)技術(shù)水平和文化生活的面貌。 出土的楚式家具中幾、案、俎、屏無論從藝術(shù)風(fēng)格上還是對后世家具的影響方面都具有典型性和代表性。本文從考古學(xué)角度,主要依據(jù)發(fā)表的田野考古報告、簡報以及楚式家具專著、圖錄所涉及到的東周秦漢時期的楚式家具的資料,在前人研究的基礎(chǔ)上,將出土的典型楚式家具進行系統(tǒng)的、綜合性的類型學(xué)分析,結(jié)合墓葬形制、與楚式家具共存的陶器組合、銅錢和銅鏡等斷代標(biāo)尺性器物的特征對其出現(xiàn)時間和流行年代進行推斷。 在類型學(xué)研究的基礎(chǔ)上,對楚式家具相關(guān)問題進行了研究。楚式家具的藝術(shù)風(fēng)格表現(xiàn)在造型優(yōu)美、色彩絢麗、裝飾精美等幾個方面；通過對典型的巫文化紋飾、神秘的擺放位置和同時出土的隨葬品特點、與墓主人的身份關(guān)系的觀察,初步得出楚式家具帶有明顯的楚巫文化因素的結(jié)論,此外還探討了東周時期楚式家具對秦漢時期家具風(fēng)格的影響。漢代家具是在繼承東周時期楚式家具工藝優(yōu)良傳統(tǒng)的基礎(chǔ)上得到了發(fā)展,并在原有的基礎(chǔ)上出現(xiàn)了新的家具品類。 最后得出結(jié)論,楚式家具在東周時期已初具規(guī)模,至戰(zhàn)國中期已經(jīng)達到鼎盛時期。它自成一系,造型、紋飾、色彩別具風(fēng)格。它代表了早期家具的工藝水平,是形成我國漆木家具這一體系的主要源頭,楚式家具的組合形式、品種類型、構(gòu)架意識直接影響著后世家具體系的發(fā)展。
[Abstract]:During the Eastern Zhou Dynasty, the State of Chu paid attention to the cultivation of lacquer trees, and the excellent protective measures of the Chu tomb enabled the Chu style lacquer furniture to be preserved more and more completely, which provided valuable material for the study of furniture in this period today. Chu furniture represents the artistic level and production technology of the early furniture in our country. It reflects the unique cultural heritage and ideology of the region with its rich variety, brilliant color, romantic magic, excellent production and so on. Chu-style furniture has a profound influence on the artistic style of furniture made by future generations. Therefore, the study of Chu-style furniture can see the level of social production and cultural life at that time. Several unearthed Chu furniture, cases, victimization, screen, whether from the artistic style or the impact on the furniture of later generations are typical and representative. From the perspective of archaeology, this paper mainly bases on the published field archaeological reports, briefing papers, Chu furniture monographs, and the materials of Chu furniture in the Eastern Zhou, Qin and Han dynasties, which are related to the previous studies. A systematic and comprehensive typological analysis of the typical Chu furniture unearthed was carried out, and a combination of pottery and pottery coexisting with the Chu furniture was combined with the tombs. The time and age of its emergence and popularity are inferred by the characteristics of ancient ruler objects such as copper coins and bronze mirrors. On the basis of typology, the paper studies the related problems of Chu style furniture. The artistic style of Chu style furniture is shown in several aspects, such as beautiful shape, gorgeous color, fine decoration and so on. Based on the observation of the typical witch culture decoration, the mysterious location and the characteristics of the buried objects unearthed at the same time, and the relationship between the identity of the tomb owner and the Chu furniture, the conclusion that Chu style furniture has obvious factors of Chu witch culture is drawn. In addition, it discusses the influence of Chu style furniture on the style of Qin and Han dynasties. The furniture of Han Dynasty was developed on the basis of inheriting the fine tradition of Chu style furniture craft in the Eastern Zhou Dynasty, and a new category of furniture appeared on the basis of the original one. Finally, the conclusion is drawn that Chu furniture has begun to take shape in the Eastern Zhou Dynasty, and reached its peak in the middle of warring States period. It has its own series, modeling, decoration, color has a unique style. It represents the technological level of the early furniture, and is the main source of the lacquer furniture system in China. The combination form, variety type and frame consciousness of Chu furniture directly affect the development of furniture system in later generations.
【學(xué)位授予單位】：鄭州大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2011
【分類號】：K875.2
本文編號：2301470
[Abstract]:During the Eastern Zhou Dynasty, the State of Chu paid attention to the cultivation of lacquer trees, and the excellent protective measures of the Chu tomb enabled the Chu style lacquer furniture to be preserved more and more completely, which provided valuable material for the study of furniture in this period today. Chu furniture represents the artistic level and production technology of the early furniture in our country. It reflects the unique cultural heritage and ideology of the region with its rich variety, brilliant color, romantic magic, excellent production and so on. Chu-style furniture has a profound influence on the artistic style of furniture made by future generations. Therefore, the study of Chu-style furniture can see the level of social production and cultural life at that time. Several unearthed Chu furniture, cases, victimization, screen, whether from the artistic style or the impact on the furniture of later generations are typical and representative. From the perspective of archaeology, this paper mainly bases on the published field archaeological reports, briefing papers, Chu furniture monographs, and the materials of Chu furniture in the Eastern Zhou, Qin and Han dynasties, which are related to the previous studies. A systematic and comprehensive typological analysis of the typical Chu furniture unearthed was carried out, and a combination of pottery and pottery coexisting with the Chu furniture was combined with the tombs. The time and age of its emergence and popularity are inferred by the characteristics of ancient ruler objects such as copper coins and bronze mirrors. On the basis of typology, the paper studies the related problems of Chu style furniture. The artistic style of Chu style furniture is shown in several aspects, such as beautiful shape, gorgeous color, fine decoration and so on. Based on the observation of the typical witch culture decoration, the mysterious location and the characteristics of the buried objects unearthed at the same time, and the relationship between the identity of the tomb owner and the Chu furniture, the conclusion that Chu style furniture has obvious factors of Chu witch culture is drawn. In addition, it discusses the influence of Chu style furniture on the style of Qin and Han dynasties. The furniture of Han Dynasty was developed on the basis of inheriting the fine tradition of Chu style furniture craft in the Eastern Zhou Dynasty, and a new category of furniture appeared on the basis of the original one. Finally, the conclusion is drawn that Chu furniture has begun to take shape in the Eastern Zhou Dynasty, and reached its peak in the middle of warring States period. It has its own series, modeling, decoration, color has a unique style. It represents the technological level of the early furniture, and is the main source of the lacquer furniture system in China. The combination form, variety type and frame consciousness of Chu furniture directly affect the development of furniture system in later generations.
【學(xué)位授予單位】：鄭州大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2011
【分類號】：K875.2
【參考文獻】
相關(guān)期刊論文 前1條
1 院文清;楚與秦漢漆器的幾個問題[J];江漢考古;1987年01期
，本文編號：2301470
本文鏈接：http://sikaile.net/shekelunwen/kgx/2301470.html
教材專著
