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克孜爾石窟186窟壁畫藝術(shù)研究

發(fā)布時間:2018-10-29 08:24
【摘要】:克孜爾石窟是龜茲石窟藝術(shù)乃至整個新疆古代佛教文化的典型代表,對其進(jìn)行深入細(xì)致的研究,是豐富中國美術(shù)史有關(guān)西域部分的基礎(chǔ)課題之一。由于受不同文化的影響,克孜爾石窟壁畫的構(gòu)圖、造型、色彩本身也在不斷發(fā)生著變化,將著眼點(diǎn)放在一個具體的石窟上能為龜茲佛教藝術(shù)的研究提供更多的資料,對珍貴遺產(chǎn)進(jìn)行細(xì)微化、多角度的研究有其必要性。 目前,克孜爾石窟的對外開放和圖像資料的大量刊布,都為深入全面的研究個案進(jìn)行提供了很好的條件。本文結(jié)合整個龜茲的大環(huán)境,通過對克孜爾石窟的田野調(diào)查報告了186窟的現(xiàn)狀,將186窟作為一個石窟中心個體全面深入地挖掘其壁畫藝術(shù)價值,通過實(shí)地考察和借助前人的學(xué)術(shù)成果,對其形制、壁畫布局、內(nèi)容、構(gòu)圖形式、造型、色彩與線條等方面逐一進(jìn)行了系統(tǒng)的研究,揭示了它們之間的關(guān)系,充分展示其特殊藝術(shù)價值和在克孜爾石窟研究中的獨(dú)特意義。 本文采用了考古學(xué)、圖像學(xué)和比較學(xué)研究的方法,借鑒西方藝術(shù)史研究的長處,將著眼點(diǎn)放在一個具體的石窟上(克孜爾石窟186窟),以點(diǎn)帶面,全面深入地挖掘其獨(dú)特的藝術(shù)價值。文章主要分四部分,第一部分主要介紹了研究背景、研究現(xiàn)狀、研究目的、研究意義和方法及創(chuàng)新點(diǎn)與不足之處;第二部分介紹了186窟的形制和壁畫內(nèi)容,并從構(gòu)圖形式、造型、線條與色彩等方面對186窟壁畫進(jìn)行研究,探討藝術(shù)的這種相互關(guān)系從而挖掘其源流及其蘊(yùn)藏的文化內(nèi)涵;第三部分通過對克孜爾186窟壁畫資料的調(diào)查、采證、比較、分析,提出克孜爾186窟壁畫具有的的特殊價值;第四部分是結(jié)語,總結(jié)論述了克孜爾石窟186窟壁畫的藝術(shù)成就和意義。
[Abstract]:Kizil Grottoes is a typical representative of Qiuci Grottoes Art and even the whole ancient Buddhist culture in Xinjiang. It is one of the basic subjects to enrich the western regions of Chinese art history to carry out a thorough and meticulous study on Kizil Grottoes. As a result of the influence of different cultures, the composition, shape and color of the murals of Kizil grottoes are constantly changing. Focusing on a specific cave can provide more information for the study of the Buddhist art of Qiuzi. It is necessary to study the precious heritage from different angles. At present, the opening up of Kizil Grottoes and the publication of a large number of image materials have provided very good conditions for in-depth and comprehensive research cases. Combined with the whole environment of Qiuci, this paper reports the present situation of Cave 186 through the field investigation of Kizil Grottoes, and excavates the artistic value of the murals of Grottoes 186 as a central individual in an all-round way. On the basis of field investigation and previous academic achievements, this paper systematically studies the shape, mural layout, content, composition form, modeling, color and line, and reveals the relationship between them. Fully demonstrate its special artistic value and unique significance in the study of Kizil grottoes. This paper adopts the methods of archaeology, graphology and comparative study, draws lessons from the merits of western art history research, and focuses on a specific grottoes (Kizil Grottoes 186 Grottoes). Fully and deeply excavate its unique artistic value. The article is divided into four parts. The first part mainly introduces the research background, research status, research purposes, research significance and methods, innovation and shortcomings; The second part introduces the shape and mural content of Grottoes 186, and studies the murals of Grottoes 186 from the aspects of composition, modeling, line and color, and probes into this relationship of art so as to excavate its origin and cultural connotation. The third part through the investigation of the murals of Kizil 186 grottoes, collecting evidence, comparison, analysis, put forward the special value of murals of Kizil 186 grottoes; The fourth part is the conclusion, summing up the artistic achievement and significance of Kizil Grottoes 186 Grottoes murals.
【學(xué)位授予單位】:新疆師范大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2010
【分類號】:K879.41

【參考文獻(xiàn)】

相關(guān)期刊論文 前2條

1 蘇伯民,李最雄,馬贊峰,李實(shí),馬清林;克孜爾石窟壁畫顏料研究[J];敦煌研究;2000年01期

2 閻文儒;;新疆天山以南的石窟[J];文物;1962年Z2期

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