【摘要】：陜西鳳翔縣南郊唐墓M17中出土的絹質(zhì)漢文陀羅尼經(jīng)咒繪寫本,其主體內(nèi)容是唐代盛行的《佛說隨求得大自在陀羅尼神咒經(jīng)》。經(jīng)咒中心和周邊的圖像對理解唐代密宗真言的構(gòu)成有著重要的啟示性作用。本文對經(jīng)咒中涉及到的圖像進行簡單的對比分析,認(rèn)為經(jīng)咒中心圖像為一頭戴虎頭冠的披甲執(zhí)銳武士形象。此類虎頭冠圖像發(fā)軔于西方,向東融匯佛教中的天龍八部思想,進入中土之后,經(jīng)過了若干次變?nèi)莺娃D(zhuǎn)化,成為具有"護國、護教、護城"戰(zhàn)神之力的毗沙門天王形象。這種形象的出現(xiàn)正與鳳翔墓地的時代背景相契合。經(jīng)咒周邊為佛教手印、花卉紋等構(gòu)成的組合圖案,以及經(jīng)咒書寫方式的結(jié)構(gòu)—環(huán)繞式構(gòu)圖,共同構(gòu)成了較為完整的密宗曼荼羅壇城的表現(xiàn)形式。此外,鳳翔經(jīng)咒中所表現(xiàn)的密宗思想有可能與墓地殺殉現(xiàn)象存在一定關(guān)系。
[Abstract]:The painting book of the mantra of the Tauroni Sutra unearthed in the Tang Tomb M17 in the southern suburb of Fengxiang County, Shaanxi Province, the main content of which is the popular Tang Dynasty, "Buddha said to be at ease with the request of the Tauroni God mantra". The images of the mantra center and its surroundings play an important role in understanding the composition of the truthfulness of the Tantra in the Tang Dynasty. This paper makes a simple comparative analysis of the images involved in the sutra mantra and holds that the image of the center of the sutra is a sharp warrior in armour with a tiger's head crown. The image of this kind of tiger crown originated in the West and merged with the thoughts of The Demi-Gods & Semi-Devils in Buddhism to the east. After entering the Middle Earth, after several changes and transformations, it became the image of Vishamen King with the power of "protecting the country, protecting the religion and protecting the city". The appearance of this image coincides with the background of Fengxiang cemetery. The combination patterns of Buddhist handprints and flower lines around the mantra, as well as the structure-surround composition of the mandala, constitute a relatively complete form of expression of the tantric mandala. In addition, the conjuring of Fengxiang sutras may be related to the death of the graveyard.
【作者單位】： 中國社會科學(xué)院考古研究所;
【分類號】：J522;K876.9
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本文編號：2294672