【摘要】：《繪事微言》是唐志契著名的山水畫論著作,在明代山水畫理論研究中起到了上承宋元、下啟清代的作用,如他提出的"山性即我性,山情即我情"、"畫要看真山真水"亦或臨摹古畫要"師其意而不師其跡"、"山水寫趣"等主張和見解,均頗有見地,對后世繪畫史的研究工作具有極其重要的借鑒意義和參考價值。本文試圖對《繪事微言》中體現(xiàn)出來的繪畫美學思想進行系統(tǒng)梳理和剖析,以期重新呈現(xiàn)它在中國山水畫史上的價值和意義。
[Abstract]:"A brief comment on painting" is a famous work on landscape painting by Tang Zhiqi, which played an important role in the theoretical study of landscape painting in the Ming Dynasty and the Song and Yuan dynasties, and in the Qing Dynasty, such as "the nature of the mountain is the nature of me". "Mountain feeling is my feeling", "painting should see the true mountain and true water" or copy the ancient painting to "master its intention but not its track", "the landscape writes interesting" and so on, all have the idea and the opinion, all have the extremely important reference significance and the reference value to the later generation painting history research work. This paper attempts to systematically comb and analyze the aesthetic thoughts of painting embodied in painting in order to re-present its value and significance in the history of Chinese landscape painting.
【作者單位】： 清華大學美術學院;
【分類號】：J212;K877

【共引文獻】

相關期刊論文 前10條

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本文編號：2284789