【摘要】： 海獸葡萄鏡是唐代銅鏡中的奇葩,也是整個(gè)古代銅鏡中的佼佼者。其造型之優(yōu)美,紋樣之繁雜,文化內(nèi)涵之豐富,均在中國(guó)銅鏡史上占有重要地位。一直以來(lái),海獸葡萄鏡在我國(guó)各地都有出土,是唐代銅鏡中數(shù)量最多的一種。相當(dāng)一部分中外學(xué)者對(duì)海獸葡萄鏡進(jìn)行過(guò)研究,并取得了一定成果。 本文會(huì)根據(jù)已知材料用考古類型學(xué)方法對(duì)海獸葡萄鏡進(jìn)行分類型、分期研究,旨在了解海獸葡萄鏡發(fā)展和演變的規(guī)律。筆者將海獸葡萄鏡按器型分為圓形鏡、方形鏡、菱花形鏡、冥器鏡四類,從時(shí)間上又劃為萌芽期(高宗時(shí)期)、發(fā)展與高峰期(武則天時(shí)期)、鼎盛及轉(zhuǎn)型期(武則天時(shí)期—宣宗時(shí)期)。海獸紋飾與葡萄紋飾是海獸葡萄鏡的最大亮點(diǎn),海獸(獅子)的名稱、來(lái)源及在中國(guó)的形象演化都離不開中國(guó)本土文化的影響,葡萄與中國(guó)文化亦密不可分,蜂、蝶及唐草紋飾的搭配給海獸葡萄鏡更增添了新的魅力。 海獸葡萄鏡作為一種良好的斷代器物,它的產(chǎn)生、發(fā)展、衰落都絕非偶然,而是與中西文化交流有關(guān),本文還會(huì)對(duì)其起源、發(fā)展歷程做研究。除此之外,本文還會(huì)用圖表的方式對(duì)其各式各樣的特點(diǎn)進(jìn)行比較、統(tǒng)計(jì),并進(jìn)一步為海獸葡萄鏡的類型學(xué)研究做補(bǔ)充。最后探討海獸葡萄鏡對(duì)國(guó)內(nèi)外和對(duì)歷史的影響。
[Abstract]:The sea animal grape mirror is the Tang Dynasty bronze mirror wonderful work, also is the entire ancient times bronze mirror outstanding person. Its graceful shape, complicated pattern and rich cultural connotation play an important role in the history of Chinese bronze mirror. All along, sea animal grape mirror has been unearthed all over China, is the largest number of bronze mirrors in the Tang Dynasty. Quite a number of Chinese and foreign scholars have carried on the research to the sea animal grape mirror, and has obtained the certain achievement. According to the known materials, this paper will study the development and evolution of the sea animal grape mirror by stages by using the archaeological typology method, in order to understand the law of the development and evolution of the sea animal grape mirror. According to the type of instrument, the grape mirror of sea beast is divided into four categories: round mirror, square mirror, diamond mirror, jingol mirror. In time, it is divided into budding period (Gaozong period), development and peak period (Wu Zetian period), peak and transition period (Wu Zetian period-Xuan Zong period). The sea animal decoration and the grape grain decoration are the sea beast grape mirror biggest bright spot, the sea beast (lion) name, the origin and the image evolution in China are inseparable from the Chinese native culture influence, the grape and the Chinese culture are also inseparable, bee, Butterfly and Tang grass decoration match to the sea beast grape mirror to add new charm. As a good antiquated object, the emergence, development and decline of the grape mirror are not accidental, but related to the cultural exchange between China and the West. This paper will also study its origin and development course. In addition, this paper makes a comparison and statistics of its various characteristics by means of graphs, and further complements the typological study of sea animal grape mirror. Finally, the influence of sea animal grape mirror on history and at home and abroad was discussed.
【學(xué)位授予單位】：西北大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2010
【分類號(hào)】：K875.2

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 龍彩鳳;唐代典型植物紋樣在家具設(shè)計(jì)中的應(yīng)用研究[D];中南林業(yè)科技大學(xué);2012年

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本文編號(hào)：2276242