高兔村戰(zhàn)國(guó)墓出土神獸金鑄像造型蠡測(cè)
發(fā)布時(shí)間:2018-10-12 19:43
【摘要】:陜西神木縣納林高兔村戰(zhàn)國(guó)墓中出土的圓雕勾喙蹄足有角神獸金鑄像,帶有復(fù)雜多元的文化元素,既有我國(guó)北方草原文化的造型特征,又融合了歐亞草原斯基泰藝術(shù)的裝飾風(fēng)格,呈現(xiàn)出復(fù)雜的文化背景和傳承關(guān)系,其所具有的神秘信息有待解讀。從語(yǔ)源學(xué)、文物學(xué)、藝術(shù)學(xué)角度對(duì)神獸金鑄像造型的分析表明,其所具有的勾喙、蹄足、長(zhǎng)角、有耳鳥(niǎo)首等特征,與先秦兩漢古文獻(xiàn)記載的嬴秦飛廉族的歷史、風(fēng)神形象等信息重合,并且傳承關(guān)系密切;與歐亞草原藝術(shù)中常見(jiàn)的勾喙蹄足后蹄反轉(zhuǎn)的神獸造型、中國(guó)北方草原鹿石上的神獸形象相似,相關(guān)性顯著。本文認(rèn)為,神獸金鑄像的母題來(lái)源是風(fēng)神飛廉,文化內(nèi)涵源于商族的鳥(niǎo)圖騰、草原文化和巫文化的鹿圖騰,兼有嬴秦族的龍圖騰和古印歐文化的雙頭神獸形象元素,呈現(xiàn)出交互雜糅的文化傳承關(guān)系。
[Abstract]:In the warring States Tombs of Nalingao Rabbit Village, Shenmu County, Shaanxi Province, a gold cast statue of a horned fairy beast unearthed from the tomb of the warring States period was unearthed, with complex and pluralistic cultural elements, as well as the modelling characteristics of the grassland culture in the north of China. It also combines the decorative style of Skeetai art in Eurasian steppe and presents a complex cultural background and inheritance relationship, and its mysterious information needs to be interpreted. From the perspective of etymology, antiquities and art, the analysis of the gold cast image of the immortal beast shows that it has the characteristics of beak, hoofs, long horns and ear-bird heads, and the history of the Yingqin-Feilian nationality recorded in the ancient documents of the Pre-Qin, Han and Han dynasties. The image of Fengshen overlapped with other information, and was closely related with the common art of Eurasian steppe. It was similar to the image of the immortal beast on the deer stone of northern China, and had significant correlation with the fairy beast that was common in the art of Eurasian steppe. This paper holds that the motif of the golden statue of the Immortal Beast comes from the Fei-Lian of the Fengshen, the cultural connotation originates from the bird totem of the Shang nationality, the deer totem of the prairie culture and the witch culture, as well as the dragon totem of the Ying Qin nationality and the image element of the dual-headed immortal beast of the ancient Indo-European culture. There is a mixture of cultural heritage.
【作者單位】: 中國(guó)國(guó)家博物館;
【分類(lèi)號(hào)】:K876.43
[Abstract]:In the warring States Tombs of Nalingao Rabbit Village, Shenmu County, Shaanxi Province, a gold cast statue of a horned fairy beast unearthed from the tomb of the warring States period was unearthed, with complex and pluralistic cultural elements, as well as the modelling characteristics of the grassland culture in the north of China. It also combines the decorative style of Skeetai art in Eurasian steppe and presents a complex cultural background and inheritance relationship, and its mysterious information needs to be interpreted. From the perspective of etymology, antiquities and art, the analysis of the gold cast image of the immortal beast shows that it has the characteristics of beak, hoofs, long horns and ear-bird heads, and the history of the Yingqin-Feilian nationality recorded in the ancient documents of the Pre-Qin, Han and Han dynasties. The image of Fengshen overlapped with other information, and was closely related with the common art of Eurasian steppe. It was similar to the image of the immortal beast on the deer stone of northern China, and had significant correlation with the fairy beast that was common in the art of Eurasian steppe. This paper holds that the motif of the golden statue of the Immortal Beast comes from the Fei-Lian of the Fengshen, the cultural connotation originates from the bird totem of the Shang nationality, the deer totem of the prairie culture and the witch culture, as well as the dragon totem of the Ying Qin nationality and the image element of the dual-headed immortal beast of the ancient Indo-European culture. There is a mixture of cultural heritage.
【作者單位】: 中國(guó)國(guó)家博物館;
【分類(lèi)號(hào)】:K876.43
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