秦漢西部漆器藝術(shù)研究——甘肅、寧夏地區(qū)漆器藝術(shù)
[Abstract]:The lacquer art of the Qin and Han dynasties was called the "golden age" in the history of lacquer art. From the aspects of the influence of lacquer ware, artistic achievements, the level of craftsmanship and the coverage of daily life, etc. It undoubtedly occupies the most brilliant and important position in the history of lacquer art in ancient China. The lacquer art of the Qin and Han dynasties, as an outstanding traditional cultural heritage and art treasure, played a great role in the inheritance and dissemination of Chinese culture. In the Qin and Han dynasties in Gansu, Ningxia was in the place of the ancient "Silk Road", the locale of the keys and the core road, where a large number of lacquer objects and inscriptions were left behind, and with all the categories they should have, they were beautifully decorated. Light and delicate shapes are well known in the world. It has written a glorious chapter in the history of Chinese lacquer technology and provided valuable information for the study of the history of Chinese arts and crafts. Based on the lacquer art of Gansu and Ningxia in the Qin and Han dynasties, this paper focuses on the decorative features of the lacquer art in Gansu and Ningxia during the Qin and Han dynasties. Firstly, the background of lacquerware art in Gansu and Ningxia during the Qin and Han dynasties is discussed, including folk customs, economic situation, science and technology in Qin and Han dynasties, Gansu and Ningxia history in Qin and Han dynasties. Geographical background, etc. Secondly, the article introduces the types and types of lacquer ware in Gansu and Ningxia in Qin and Han dynasties, and divides them into three categories. Thirdly, it discusses the decorative characteristics of the lacquer art in Gansu and Ningxia during the Qin and Han dynasties, and generalizes and analyzes the decorative themes, patterns, decorative techniques and decorative colors of the lacquer art in Gansu and Ningxia during the Qin and Han dynasties. In order to sum up and analyze the unique characteristics of its lacquer art decoration style. Finally, through the study of the cultural connotation of lacquer ware in Gansu and Ningxia during the Qin and Han dynasties, it is concluded that the lacquer ware art is a common crystallization of Chu culture, Confucianism and Taoism, and so on. By studying the art of lacquer ware in Gansu and Ningxia during the Qin and Han dynasties, it is concluded that the lacquer ware is designed for the purpose of use. Stable and harmonious, both practical and beautiful; its lacquer design concise, strong color, decorative patterns mysterious romantic, flying flow, deeply influenced by Confucianism and Taoism, Chu Witchcraft culture; its lacquer design and production closely combined with life, Realized the perfect combination of application and artistic taste. It combines practicability and artistry, and has strong reference value for modern art design idea and style.
【學(xué)位授予單位】:西安理工大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2010
【分類號】:K876.6
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