【摘要】：在中國古典藝術(shù)門類中,家具無疑是集實(shí)用和藝術(shù)為一體的最具代表性的一種。述及家具,晉作家具形象萬千,或易傳承,典雅安逸,兼?zhèn)鋬扇?以其深厚的文化底蘊(yùn)和藝術(shù)風(fēng)格被眾多專家和學(xué)者稱道。山西是中華民族黃河流域文化的發(fā)祥地之一,凝聚三晉文化的晉作家具就誕生在這塊黃土地上,經(jīng)繼承、演變、發(fā)展,形成了自己的獨(dú)特風(fēng)格。通過收集的晉作家具有關(guān)資料表明,與被譽(yù)為家具三大流派的廣作、京作、蘇作家具相比,晉作家具作為我國古典家具的另一個(gè)重要的分支流派,無論在文物、考古、收藏界還是在古玩市場(chǎng)上,早已引起人們的重視,但未能更深入更細(xì)致的對(duì)研究晉作家具進(jìn)行探索和研究。 隨著山西區(qū)域經(jīng)濟(jì)發(fā)展,山西收藏市場(chǎng)逐漸繁榮。近年晉作家具逐步受到大眾青睞,其收藏價(jià)值也因物以稀為貴而穩(wěn)步上升。在這種趨勢(shì)下,山西地區(qū)博物館收藏的晉作家具珍品逐漸增多,但同時(shí)真?zhèn)渭揖叱涑馐詹厥袌?chǎng)。經(jīng)過翻閱資料和實(shí)地考察,晉作家具研究偏重于收藏知識(shí)、家具圖樣等方面,而在晉作家具基礎(chǔ)性研究方面較為欠缺。本文在前人研究成果的基礎(chǔ)上,通過類型學(xué)方法,對(duì)明清晉作家具進(jìn)行基礎(chǔ)研究,探究明清晉作家具的定義、起源及發(fā)展、分布與流傳,以及材質(zhì)特征、類型風(fēng)格和分期特征等內(nèi)容,以期更加系統(tǒng)地做好清代晉作家具的基礎(chǔ)性研究,在一定程度上為晉作家具藏品研究以及收藏提供資料,同時(shí)揭示家具在某種程度象征了地域經(jīng)濟(jì)、文化的發(fā)展,延續(xù)著地域性的歷史特點(diǎn)和文化傳承,達(dá)到展現(xiàn)晉作家具的獨(dú)特的藝術(shù)魅力,弘揚(yáng)晉作家具衍射出的三晉文化內(nèi)涵的目的。
[Abstract]:In Chinese classical art category, furniture is undoubtedly the most representative of practical and artistic integration. As to furniture, Jin made furniture image, or easy to pass on, elegant and comfortable, both sides, with its profound cultural heritage and artistic style by many experts and scholars praise. Shanxi is one of the birthplaces of the Yellow River Valley culture of the Chinese nation. The Jin Dynasty, which condensed the culture of the three Jin dynasties, was born on this yellow land. Through inheritance, evolution and development, Shanxi formed its own unique style. Through the collection of relevant information on furniture in Jin Dynasty, it is shown that compared with the widely known furniture, Jingzuo and Suzhou-made furniture, Jin furniture is another important branch of classical furniture in China, whether in cultural relics or archaeology. Collection is still in the antique market, has attracted people's attention, but has not been more in-depth and meticulous research on Jin furniture exploration and research. With the development of Shanxi's regional economy, Shanxi's collection market is flourishing gradually. In recent years, Jin furniture gradually favored by the public, its collection value because of the rare and steady rise in value. In this trend, Shanxi Museum collections of Jin furniture treasures gradually increased, but at the same time, the collection market filled with genuine and fake furniture. After reading the materials and investigating on the spot, the research of Jin furniture is focused on collecting knowledge, furniture drawing and so on, but lacking in the basic research of Jin furniture. Based on the previous research results, this paper, through typology, carries on the basic research to the Ming and Qing Dynasty Jin furniture, and probes into the definition, origin and development, distribution and spread, as well as the material characteristics of the Ming and Qing Jin furniture. In order to do the basic research of Jin furniture in Qing Dynasty more systematically and to a certain extent, it can provide information for the research and collection of Jin furniture collection. At the same time, it is revealed that furniture symbolizes the development of regional economy and culture to a certain extent, and continues the historical characteristics and cultural heritage of the region, so as to show the unique artistic charm of making furniture in Jin Dynasty. The purpose of carrying forward the cultural connotation of the three Jin dynasties by diffracting the furniture of Jin Dynasty.
【學(xué)位授予單位】：山西大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2011
【分類號(hào)】：J525.3;K876

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本文編號(hào)：2194042