【摘要】：為了研究中國古代漆器的髹漆工藝并為漆器的保護修復(fù)提供相應(yīng)的科學(xué)依據(jù),本研究通過顯微鏡、顯微紅外光譜、掃描電鏡、X射線熒光光譜、顯微激光拉曼光譜等方法對浙江松陽出土南宋剔犀漆器殘樣的制作工藝和材質(zhì)進行了研究分析。分析結(jié)果說明該漆器采用杉木作為漆胎,并在其上涂刷了以高嶺土(AL2_O_3·2SiO_2·2H_2O)與動物毛發(fā)為主要成分的胎地填料(底灰)。然后分別在器物內(nèi)外表面上髹飾上調(diào)制而成黑色和紅色的天然生漆。將外表面紅色漆膜雕刻成如意云紋,并在云紋邊緣描繪黑漆線作為修飾,最后再在其上髹飾一層紅色面漆。漆器紅漆和黑漆層由同種天然生漆髹漆而成,但是兩者采用的顏料分別為HgS和含F(xiàn)e的黑色顏料。
[Abstract]:In order to study the lacquer painting technology of ancient Chinese lacquer ware and provide the corresponding scientific basis for the protection and restoration of lacquer ware, this study was carried out by means of microscope, micro-infrared spectrum, scanning electron microscope and X-ray fluorescence spectrum. The fabrication technology and material of lacquer residue from Southern Song Dynasty lacquer unearthed in Songyang Zhejiang Province were studied by means of micro-laser Raman spectroscopy. The results showed that the lacquer ware used Chinese fir as lacquer tire and was covered with kaolin (AL2_O_3 2SiO_2 2H_2O) and animal hair as the main components of the filler (bottom ash). Then painted on the interior and exterior surfaces of the utensils, respectively, the natural lacquer is made into black and red. Carve the red paint film on the outer surface into a good moire, paint the black paint line on the edge of the moire as a decoration, and then paint it with a layer of red topcoat. Red lacquer and black lacquer are lacquered from the same natural lacquer, but the pigments used are HgS and Fe black pigments, respectively.
【作者單位】： 浙江省博物館;
【分類號】：K876.7

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