發(fā)布時(shí)間：2018-07-15 15:30

【摘要】：魚在中國(guó)傳統(tǒng)神話思維中是靈魂不死的象征,能夠幫助亡者渡過(guò)陰間的黃泉之水飛升仙界,而金芭塔絲所倡的"女神文明論"從比較神話學(xué)視角,為考證《山海經(jīng)》魚婦神話原型提供了新的參照。近年來(lái),考古新出土玉魚、玉衣、魚車出行畫像石等大量文物,借助于物與圖像兩種敘事形式,考釋"魚婦"神話原型既象征指引亡者抵達(dá)昆侖仙境追隨西王母的魚女神,又象征庇佑亡者靈魂回歸其母腹進(jìn)而實(shí)現(xiàn)生命再生的魚女神。與西方文明的不同之處在于,玉作為中國(guó)神話中貫通天地、象征不死的神物,使得魚婦神話追求死而再生的表述意義愈加凸顯,玉石神話信仰已經(jīng)成為華夏文明核心價(jià)值觀傳播的驅(qū)動(dòng)力所在。
[Abstract]:Fish is the symbol of undead soul in Chinese traditional mythological thinking, which can help the dead to get through the Yellow Spring in the underworld and rise to the immortal realm. However, the "Goddess Civilization Theory" advocated by Kimbarthas is from the perspective of comparative mythology. It provides a new reference for the archetypal study of the mythology of fish women in Shanhai Classic. In recent years, a large number of archeological relics, such as jade fish, jade clothes, fish carts and stone caravan, have been unearthed. With the help of the two narrative forms of objects and images, the archetypes of the myth of "fish women" symbolize the fish goddess who guided the deceased to the wonderland of Kunlun to follow the western royal mother. It also symbolizes the return of the soul of the deceased to their mother's belly and the realization of the life of the goddess of the fish. The difference with Western civilization lies in the fact that jade, as a symbol of immortal gods and gods in Chinese mythology, makes it more prominent that the myth of fish women pursues death and regenerates. The belief of jade myth has become the driving force of the dissemination of the core values of Chinese civilization.
【作者單位】： 上海交通大學(xué);中山大學(xué);
【基金】：上海交通大學(xué)人文社科學(xué)術(shù)領(lǐng)域文化專項(xiàng)項(xiàng)目“玉帛之路:從長(zhǎng)三角到河西走廊”(16TCWH11)階段性成果
【分類號(hào)】：K871.3
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本文編號(hào)：2124541