本文選題：轉(zhuǎn)變期 + 青花瓷��； 參考：《浙江工商大學(xué)學(xué)報》2014年03期

【摘要】：明末清初〔明萬歷三十六年(1608)至康熙二十年(1681)〕的青花瓷藝術(shù)沒有因御窯停燒和戰(zhàn)亂而衰敗,相反,出現(xiàn)了空前繁榮的局面,展現(xiàn)了獨特的時代特征和風(fēng)貌。陶瓷學(xué)界稱這個時期為中國瓷器發(fā)展的轉(zhuǎn)變期。由于晚明商品經(jīng)濟的發(fā)展,思想觀念的解放,御窯與民窯的融合和互動,以及科技的發(fā)展,使瓷器在構(gòu)圖風(fēng)格、造型技法、紋飾繪畫、審美觀念等方面都有極可貴的創(chuàng)新和發(fā)展。
[Abstract]:The blue and white porcelain art in late Ming Dynasty (36 years (1608) to Kangxi 20 years (1681) did not decline because of kiln burning and war chaos. On the contrary, it appeared an unprecedented prosperity, showing unique characteristics and features of the times. Ceramic circles call this period a transition period for the development of Chinese porcelain. As a result of the development of commodity economy in the late Ming Dynasty, the liberation of ideology, the fusion and interaction between imperial kiln and folk kiln, and the development of science and technology, the porcelain made in composition style, modeling techniques, decorative painting, Aesthetic ideas and other aspects have a very valuable innovation and development.
【作者單位】： 浙江工商大學(xué)藝術(shù)設(shè)計學(xué)院;
【分類號】：K876.3;J527

【參考文獻】

相關(guān)期刊論文 前1條

1 馬克W，

本文編號：2109941