本文選題：厭勝錢 + 造型　； 參考：《重慶大學》2011年碩士論文

【摘要】：厭勝錢主要指我國古代具有吉祥或厭禳文字與圖像的,主要用途與古代厭禳巫術有關的非流通錢幣,是我國錢幣文化與造型藝術的完美結合體。這類文物的數(shù)量巨大,種類繁多,具有豐厚的文化內涵。它流行于民間,反映了不同時代人們的精神生活和物質生活內容,而是每個時代社會生產力發(fā)展的一個縮影,是藝術和技術相結合的產物,它具有濃郁的民族特性的藝術形式,不追求自然形象的逼真摹寫,而是重視結構形式的律動感和生命感。在物質文明和精神文明高度發(fā)達的今天,對厭勝錢造型要素藝術進行研究,不僅對學習和傳承民間美術有著深刻的社會意義,而且可以從中了解不同時期、不同地域的社會面貌、風俗文化,對于我們進一步的探索、研究和繼承厭勝錢的藝術價值乃至傳統(tǒng)文化都有著極其重要的意義。 本文在梳理厭勝錢的歷史發(fā)展脈絡的基礎上,分析影響壓勝錢造型要素內容與形式的文化背景,分別從動物紋、植物紋、人物紋、云氣紋幾個方面對厭勝錢造型要素的美學內涵進行了探討,通過對厭勝錢造型從“形”與“神”的分析,研究了厭勝錢造型要素蘊含的傳統(tǒng)文化元素對現(xiàn)代設計的啟示,淺析了厭勝錢造型與紋飾在現(xiàn)代設計中的應用方法,最后結合現(xiàn)代設計理念,探討當代設計藝術如何傳承厭勝錢造型的形與神,由此總結出厭勝錢造型要素的現(xiàn)代啟示意義。挖掘厭勝錢造型藝術對現(xiàn)代藝術設計的啟發(fā),追根溯源、古為今用、學以致用,這也是該論文研究的最終目的和真正原因。
[Abstract]:Loathing money mainly refers to the uncirculating coins which have auspicious or loathed characters and images in ancient China, and which are mainly used for non-circulating coins related to ancient antiquated witchcraft. It is a perfect combination of coin culture and plastic arts in our country. This kind of cultural relic quantity is huge, the variety is various, has the rich cultural connotation. It is popular among the people and reflects the spiritual and material life of people of different times. It is a microcosm of the development of social productive forces in each era, a product of the combination of art and technology, and an artistic form with rich national characteristics. Instead of pursuing realistic descriptions of natural images, emphasis is placed on the rhythm and sense of life in the form of structure. In today's highly developed material and spiritual civilization, it is not only of profound social significance to study and inherit folk art, but also to learn about different periods of time. The social features, customs and culture of different regions are of great significance for our further exploration, research and inheritance of the artistic value and even the traditional culture. On the basis of combing the historical development of the loathing for money, this paper analyzes the cultural background that affects the content and form of the elements of the pressure winning money modeling, respectively from the animal, plant and character patterns. This paper probes into the aesthetic connotations of the elements of winning money modeling from the aspects of cloud pattern, and through the analysis of "shape" and "god", studies the enlightenment of the traditional cultural elements contained in the elements of loathing money modeling to modern design. This paper analyzes on the application methods of loathing money modeling and decoration in modern design, and finally discusses how the contemporary design art inherits the form and spirit of the loathing money modeling, and sums up the modern enlightenment significance of the elements of the loathing money modeling. It is the ultimate purpose and real reason of this paper to excavate the inspiration to modern art design, to trace back to the source, to use the past for the present, and to use it to the present.
【學位授予單位】：重慶大學
【學位級別】：碩士
【學位授予年份】：2011
【分類號】：K875.6

【參考文獻】

相關期刊論文 前3條

1 高文;漢代錢紋磚淺析[J];中國錢幣;1993年02期

2 戴志強;古代中國的錢幣[J];中國錢幣;2003年02期

3 徐達元;我國古代的包金、鎦金、錯金幣[J];中國錢幣;1996年03期

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本文編號：2093013