發(fā)布時間：2018-07-03 02:21

  本文選題：宋金時期 + 瓷器��； 參考：《北方文物》2016年04期

【摘要】：池塘水禽紋是11世紀后期興起的瓷器組合紋飾之一,有"通景式"和"小景式"兩種基本構(gòu)圖,宋畫蓮塘、沙汀小景為其重要的粉本來源,反映了宋金制瓷業(yè)對于繪畫藝術(shù)的借鑒與吸收。此類紋飾與元青花蓮塘水禽紋在題材、構(gòu)圖、細節(jié)特征、名稱等方面有著密切的聯(lián)系,表明宋金及元代以后瓷器池塘紋樣是一脈相承的。同時,高麗青瓷蒲柳水禽紋并非源于遼代壁畫,從裝飾內(nèi)容、構(gòu)圖、風格等方面來看,其產(chǎn)生可能受到了磁州窯類型彩繪瓷器的影響。
[Abstract]:Pond waterfowl pattern is one of the porcelain combination ornaments that rose in the late 11th century. There are two basic compositions of "Tongjing" and "small scenery". The Song Dynasty painting lotus pond, the Sha Ting landscape is its important powder source. It reflects the reference and absorption of the gold porcelain industry of Song Dynasty to the painting art. This kind of decoration is closely related to the waterfowl patterns of blue and white lotus pond in Yuan Dynasty in terms of subject matter, composition, details, names and so on, indicating that the patterns of porcelain ponds in Song and Jin dynasties and after Yuan Dynasty are of the same origin. At the same time, Korean celadon willow waterfowl pattern is not originated from the Liao Dynasty murals, from the decorative content, composition, style and other aspects, its production may be affected by the Cizhou kiln type of painted porcelain.
【作者單位】： 天津師范大學歷史文化學院;
【基金】：天津市哲學社會科學研究規(guī)劃項目“京津冀地區(qū)出土瓷器與宋遼金文化交流研究”(項目編碼:TJZL15-008) 天津市高等學校人文社會科學研究項目“兩宋瓷器裝飾研究”(項目編號:20142811)成果之一
【分類號】：K876.3
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本文編號：2091958