發(fā)布時(shí)間：2018-06-24 23:45

  本文選題：宋代 + 青銅禮器��； 參考：《中國藝術(shù)研究院》2011年碩士論文

【摘要】：本文以宋代仿古青銅禮器作為研究對(duì)象,分四個(gè)章節(jié)來進(jìn)行研究。 第一章對(duì)宋代仿古青銅禮器進(jìn)行概述,按傳世器、出土器以及史料記載器三類器物對(duì)宋代仿古青銅禮器進(jìn)行概述,盡可能全面而真實(shí)地展示宋代仿古青銅禮器的概貌。這些器物中有101件為北宋徽宗所制,9件為南宋官府所制,89件為南宋民間所制。 第二章從器形、紋飾、銘文三個(gè)方面對(duì)宋代仿古青銅禮器進(jìn)行類型學(xué)研究,歸納出宋代仿古青銅禮器的類型以及紋飾種類,并對(duì)銘文的字?jǐn)?shù)、位置和內(nèi)容格式進(jìn)行分析。宋代仿古青銅禮器的器形可分為鼎、(？)、鬲等15類：紋飾種類繁多,不僅有三代青銅器中常見的紋飾,還有一些比較不常見的類型；銘文的字?jǐn)?shù)集中在20到40字,不同器物銘文的位置不大一樣,內(nèi)容的格式一般為“時(shí)間+作器人+作器+用途+祝愿辭”。 第三章分析了宋代仿古青銅禮器大量出現(xiàn)的原因,從文化、政治和經(jīng)濟(jì)三種因素入手,以揭示為什么在宋代有大量仿古青銅禮器出現(xiàn)。士人收藏古代青銅器并為之制作圖錄為宋代仿古青銅禮器的產(chǎn)生提供了基礎(chǔ),而宮廷中掌管禮制的官員所意識(shí)到的有司使用的器物與士人收藏和著錄的古器不同引發(fā)了仿古青銅禮器的大規(guī)模制造,皇帝的大力支持給仿古青銅禮器強(qiáng)大的后盾。銅器所帶有的經(jīng)濟(jì)價(jià)值,使得民間人士也制造青銅器,讓民間仿古青銅禮器也有所發(fā)展。 第四章討論了宋代仿古青銅禮器的仿古與創(chuàng)新之處,本章將器物分為北宋器、南宋器兩類來討論該問題�，F(xiàn)可見到形制的北宋器物全為宋徽宗朝所制作,器形與紋飾均仿古,在《重修宣和博古圖》中都可以找到仿造的原型,但又不是完全仿造,具有自己的特點(diǎn)。南宋時(shí)所造之器開始呈現(xiàn)不一樣的創(chuàng)新,仿造的器形不局限在三代銅器,也仿造漢代器物,而南宋民間器物的紋飾更是大量采用了其他材質(zhì)器物上的紋飾。 總之,本文在對(duì)宋代仿古青銅禮器這一物質(zhì)實(shí)體本身進(jìn)行較為充分、細(xì)致分析的同時(shí),也對(duì)宋代仿古青銅禮器大量出現(xiàn)的原因以及它們的仿古創(chuàng)新狀況做了專門的分析與研究。
[Abstract]:This article takes the ancient bronze ritual ware as the research object, divides into four chapters to carry on the research. The first chapter summarizes the ancient bronze ritual ware of the Song Dynasty, and summarizes the ancient bronze ritual ware of the Song Dynasty according to the three kinds of objects, which are handed down, unearthed and historical records, so as to show the general picture of the ancient bronze ritual ware in the Song Dynasty as comprehensively and truly as possible. Of these, 101 pieces were made by Huizong in the Northern Song Dynasty and 9 pieces were made by the government of the Southern Song Dynasty. 89 pieces were made by the folk people in the Southern Song Dynasty. In the second chapter, the types of ancient bronze ritual ware in Song Dynasty are studied from three aspects: shape, decoration and inscription, and the types and types of ornaments are summed up, and the number, position and content format of inscriptions are analyzed. There are 15 types of bronze ritual vessels in the Song Dynasty, such as tripod, (?), GE and so on. There are many kinds of ornaments, not only common patterns in three generations of bronze ware, but also some less common types. The number of words in inscriptions is concentrated in 20 to 40 characters. The location of different inscriptions is different, the format of content is generally "time as a device for the use of wishes." The third chapter analyzes the reasons for the emergence of bronze ritual vessels in Song Dynasty, starting with cultural, political and economic factors, to reveal why there were a large number of ancient bronze ritual objects in Song Dynasty. The scholars collected ancient bronze vessels and made pictures for them, which provided the basis for the creation of ancient bronze ritual vessels in the Song Dynasty. However, the officials in charge of the ritual system in the court realized that the objects used by the court were different from those collected and recorded by the scholars, which led to the large-scale manufacture of the antique bronze ritual ware, and the strong support of the emperor gave powerful backing to the antique bronze ritual ware. Because of the economic value of bronze ware, folk people also made bronze ware, so that folk ancient bronze ritual ware also developed. The fourth chapter discusses the imitation and innovation of ancient bronze ritual ware in Song Dynasty, which is divided into Northern Song Dynasty and Southern Song Dynasty. Now it can be seen that all the artifacts of the Northern Song Dynasty were made by the Song Dynasty Huizong Dynasty. The shapes and ornaments of the wares were all archaic. The prototype of imitation can be found in "reconstructing Xuan and Bogu Pictures", but it is not completely imitated and has its own characteristics. The artifacts made in the Southern Song Dynasty began to present different innovations. The imitation of the vessels was not limited to the three generations of bronze ware, but also the Han Dynasty artifacts, and the Southern Song Dynasty folk ware ornaments are a large number of other materials used on the ornaments. In a word, this paper makes a full and detailed analysis of the material entity of ancient bronze ritual ware in Song Dynasty, and at the same time, makes a special analysis and research on the reasons for the emergence of the bronze ritual vessels in the Song Dynasty and their innovations in the imitation of the ancient times.
【學(xué)位授予單位】：中國藝術(shù)研究院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2011
【分類號(hào)】：K876.41

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