本文選題：黑山巖畫(huà) + 塔形圖�。� 參考：《云南藝術(shù)學(xué)院學(xué)報(bào)》2017年03期

【摘要】：甘肅嘉峪關(guān)黑山巖畫(huà)中的塔形圖主要分布在紅柳溝、石關(guān)峽口和磨子溝。目前發(fā)現(xiàn)的塔形圖共有七幅,這七幅塔形圖的位置比較分散,其中既有佛教文化遺存,又有苯教文化元素?fù)诫s在其中。屬于不同時(shí)期不同的人群所刻,不能歸為同一類(lèi)巖畫(huà),是佛教與苯教融合的產(chǎn)物。
[Abstract]:The tower diagram of Heishan rock painting in Jiayuguan, Gansu Province is mainly distributed in Hongliugou, Shiguan Xiakou and Mozigou. At present, there are seven tower maps found, which are scattered in position. There are both Buddhist cultural relics and benzene cultural elements in them. Belonging to different groups of people in different periods, it can not be classified as the same kind of rock painting, it is the product of the fusion of Buddhism and Benism.
【作者單位】： 西北師范大學(xué)美術(shù)學(xué)院;
【分類(lèi)號(hào)】：J205;K879.4
，

本文編號(hào)：2061946