本文選題：乾隆朝宮廷景泰藍 + 生產(chǎn)背景　； 參考：《復旦大學》2010年碩士論文

【摘要】： 景泰藍(銅胎掐絲琺瑯)自元代從阿拉伯傳入我國以來,歷經(jīng)明清兩代的發(fā)展,取得了非凡的藝術(shù)成就。清代乾隆朝為宮廷景泰藍生產(chǎn)制作的一個巔峰時期,展現(xiàn)了中國歷史上銅胎掐絲琺瑯工藝的最高水平。但是,學界關(guān)于景泰藍的研究相對比較薄弱,乾隆朝宮廷景泰藍的專項研究基本空白。 本文旨在廓清乾隆朝宮廷景泰藍的整體面貌,并對其與同時期其它文物門類的關(guān)系進行初步研究。論文由四部分組成： 第一部分,結(jié)合乾隆時期的文獻檔案,對乾隆朝宮廷景泰藍生產(chǎn)的時代背景進行初步分析。從封建統(tǒng)治者、制作機構(gòu)及工匠構(gòu)成兩方面分析乾隆朝宮廷景泰藍得以高速發(fā)展的歷史背景。 第二部分,全面整理目前已公開發(fā)表的學術(shù)資料、海內(nèi)外博物館的傳世藏品及出版的圖錄資料,運用類型學的方法對乾隆朝宮廷景泰藍的器型進行整理分類,并對每個門類器物背后蘊含的歷史文化背景等信息初步探索。 第三部分,在上述資料整理的基礎(chǔ)上,從種類、構(gòu)圖及藝術(shù)特色等幾方面對乾隆朝宮廷景泰藍的紋飾進行初步研究。 第四部分,由于宮廷景泰藍的制作綜合了多種傳統(tǒng)工藝的藝術(shù)特色,與其他文物門類產(chǎn)生緊密聯(lián)系,因此其在同時期文物體系中的地位值得研究。本文試從瓷器和傳統(tǒng)書畫兩個角度出發(fā),初步分析景泰藍與之形成的互相影響、互相借鑒的關(guān)系。
[Abstract]:The cloisonne ( copper - tire cloisonne enamel ) has been developed in the Ming and Qing dynasties since the passing of the Yuan Dynasty from the Arab to China . The Qing Dynasty , the peak period of the production and production of the palace cloisonne , has shown the highest level of the process of the copper - embryo pinch - wire enamel in China . However , the research on cloisonne is relatively weak in the academic circle , and the special study of the imperial court cloisonne is basically blank .



The purpose of this paper is to clear the whole face of Emperor Qian Long ' s palace cloisonne and study its relationship with other cultural relics in the same period . The thesis consists of four parts :



In the first part , the historical background of the high - speed development of the palace cloisonne from the feudal rulers , the production institutions and the artisans was analyzed .



In the second part , the author makes a comprehensive arrangement of the published academic information , the collection and the published catalogue data of the museum in the home and abroad , and uses the method of typologies to sort out the device type of the palace cloisonne , and to explore the historical and cultural background behind each gate .



The third part , on the basis of the above - mentioned material arrangement , from several aspects , such as kinds , composition and artistic characteristics , carry out a preliminary study on the tattoo of the palace cloisonne .



In the fourth part , because the manufacturing of palace cloisonne combines the artistic characteristics of many traditional processes , it is closely related to other cultural relics , so it is worth studying in the same period of cultural relic system . In this paper , we try to analyze the mutual influence of cloisonne and the formation of the traditional calligraphy from two angles of porcelain and traditional painting .
【學位授予單位】：復旦大學
【學位級別】：碩士
【學位授予年份】：2010
【分類號】：J526;K876

【引證文獻】

相關(guān)期刊論文 前1條

1 劉哲軍;方少卿;;簡述“銅胎掐絲琺瑯”青銅工藝[J];設(shè)計;2012年10期

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本文編號：1977072