發(fā)布時間：2018-06-01 07:56

  本文選題：宋金時期 + 瓷枕　； 參考：《景德鎮(zhèn)陶瓷學院》2011年碩士論文

【摘要】：瓷枕是我國傳統(tǒng)民間陶瓷里最具代表性的種類之一,興盛于宋金時期。其上所裝飾的人物紋,題材內(nèi)容多樣,裝飾技法多變,不僅具有藝術(shù)價值和歷史價值,更對后世陶瓷藝術(shù)的發(fā)展產(chǎn)生了積極的影響。本文以宋金時期瓷枕上的人物紋為例,結(jié)合大量圖片,試圖對其進行系統(tǒng)的總結(jié)與論述。通過整理人物紋飾的裝飾技法、人物紋飾的多種題材類型及裝飾風格等,力求在理論的高度對宋金時期瓷枕人物紋飾進行深入的探討,揭示其藝術(shù)特征,并試從當時的時代背景、審美風尚,以及陶瓷燒制的工藝技術(shù)等多個角度展開論述,發(fā)掘其美學淵源,探討其藝術(shù)風格成因。同時補充目前我國宋金時期瓷枕上的人物紋飾研究方面的不足,也為現(xiàn)代陶瓷藝術(shù)創(chuàng)作的發(fā)展提供有益的啟示。
[Abstract]:Porcelain pillow is one of the most representative traditional folk ceramics in China, flourishing in Song and Jin dynasties. The decorative figure patterns, with various themes and varied decorative techniques, not only have artistic and historical value, but also have a positive impact on the development of ceramic art in later generations. This paper takes the figures on the porcelain pillow in Song and Jin dynasties as an example, and tries to summarize and discuss them systematically with a large number of pictures. Through sorting out the decorative techniques of the figures, various types of themes and decorative styles of the figures, this paper tries to make a thorough discussion on the pattern of the porcelain pillow figures in the Song and Jin dynasties in the theoretical height, and reveals its artistic characteristics. From the background of the times, aesthetic fashion, ceramic sintering technology and other angles to discuss, explore its aesthetic origin, explore the causes of its artistic style. At the same time, it supplements the deficiency of the research on the character pattern on the porcelain pillow in Song and Jin dynasties, and provides useful inspiration for the development of modern ceramic art creation.
【學位授予單位】：景德鎮(zhèn)陶瓷學院
【學位級別】：碩士
【學位授予年份】：2011
【分類號】：K876.3

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