本文選題：萬(wàn)方安和九詠空間 + 文檔��； 參考：《故宮博物院院刊》2016年02期

【摘要】：基于史料調(diào)查、取證、校讎,本文針對(duì)《故宮博物院院刊》2008年第2期刊登的《圓明園新證——萬(wàn)方安和考》一文有關(guān)萬(wàn)方安和九詠空間的論述提出補(bǔ)充和更正意見(jiàn)。作者認(rèn)為,現(xiàn)存繪畫(huà)史料、樣式雷圖樣中涉及萬(wàn)方安和的總圖、單體地盤(pán)畫(huà)樣、建筑燙樣等形象史料能夠形成與現(xiàn)存文檔的良好呼應(yīng),基本證實(shí)清代晚期圖樣中萬(wàn)方安和內(nèi)檐裝修格局與清代中期的承繼關(guān)系,并且能夠借此推論萬(wàn)方安和九詠為主的室內(nèi)空間布局。
[Abstract]:Based on the historical data investigation, evidence collection and collation, this paper puts forward some supplementary and correction opinions on the discussion of Wanfang'an and Jiu Yong Space in the second issue of the Palace Museum Proceedings in 2008. The author believes that the existing historical painting materials, the general picture of Wan Fang'an he, the single site painting sample, the building hot sample and other image historical materials in the style thunder pattern can form a good echo with the existing documents. It is proved that the pattern of Wanfang'an and inner eaves in the late Qing Dynasty is related to the succession of the middle period of Qing Dynasty, and it can be used to infer the interior space layout of Wanfang'an and Jiuyong.
【作者單位】： 清華大學(xué)建筑學(xué)院;
【基金】：清華大學(xué)建筑學(xué)院賈s淌詰墓易勻豢蒲Щ鶼钅，

本文編號(hào)：1956053