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  本文選題：太陽神鳥 + 符號��； 參考：《重慶大學(xué)》2010年碩士論文

【摘要】： 四川成都出土的太陽神鳥金箔飾當(dāng)選中國文化遺產(chǎn)的標(biāo)志,不僅是中國文化伴隨經(jīng)濟(jì)發(fā)展而復(fù)蘇的信號,更是文化遺產(chǎn)現(xiàn)代化、市場化的典型事件�！败泴�(shí)力”理論逐漸深入人心,“傳統(tǒng)文化現(xiàn)代化”命題也有新的研究內(nèi)涵。在此宏觀背景下,太陽神鳥的現(xiàn)代價值個案,無疑成為在傳統(tǒng)文化與當(dāng)代經(jīng)濟(jì)兩者之間搭建橋梁的時代范本。中國學(xué)術(shù)界對文化遺產(chǎn)多進(jìn)行過去時的靜態(tài)描述,少有從現(xiàn)代價值角度進(jìn)行現(xiàn)在時的動態(tài)闡述,自然也就缺乏了文物價值的發(fā)揚(yáng)。 本文就出土的太陽神鳥符號創(chuàng)造現(xiàn)代價值的過程為主要內(nèi)容,突出分析該文物在當(dāng)時的時代背景及自身特點(diǎn)。重點(diǎn)落腳在傳統(tǒng)文化應(yīng)用在現(xiàn)代藝術(shù)設(shè)計價值和文化價值的方法上,從而得出傳統(tǒng)文化價值對現(xiàn)代設(shè)計有著重要的指導(dǎo)意義。 文章分為兩個部分,第一部分從傳統(tǒng)文化對現(xiàn)代藝術(shù)價值和文化價值的指導(dǎo)意義及運(yùn)用層面的研究,通過對金沙遺址出土的太陽神鳥正式啟用為中國文化遺產(chǎn)標(biāo)志的個案研究。從特殊拓展到一般、個案分析上升到宏觀理論研究相結(jié)合的方式,并結(jié)合太陽神鳥被應(yīng)用到現(xiàn)代設(shè)計產(chǎn)業(yè)的現(xiàn)狀,提出了從它的符號重構(gòu)到多角度、多領(lǐng)域設(shè)計的思路,為設(shè)計界提供新的借鑒模板。從特殊拓展到一般、個案分析上升到宏觀理論研究相結(jié)合的方式;第二部分主要是將第一部分剖析解讀的文化價值、不足之處與中國設(shè)計的現(xiàn)狀進(jìn)行探討。初步形成將太陽神鳥的價值文化內(nèi)涵賦予到現(xiàn)代設(shè)計價值理念中,并為相關(guān)的設(shè)計尋求出新的思路。
[Abstract]:The gold foil of the sun bird unearthed in Chengdu, Sichuan Province, is the symbol of Chinese cultural heritage, which is not only the signal of the revival of Chinese culture with the development of economy, but also the typical event of modernization and marketization of cultural heritage. The theory of soft power has gradually taken root in the hearts of the people, and the proposition of "modernization of traditional culture" also has new research connotations. In this macro background, the modern value of the sun bird has undoubtedly become a model for building a bridge between traditional culture and contemporary economy. Chinese academic circles often describe the cultural heritage in the past tense statically, and rarely expound the present tense from the angle of modern value, which naturally lacks the development of cultural relic value. This paper focuses on the process of creating modern value of the unearthed symbol of the sun god bird, and analyses the background of the cultural relic at that time and its own characteristics. The emphasis is placed on the method of applying traditional culture to the value of modern art design and cultural value, so as to draw the conclusion that the value of traditional culture has important guiding significance for modern design. The article is divided into two parts. The first part is a case study on the traditional culture's guiding significance and application level to modern art value and cultural value, through the case study of the sun god bird unearthed from Jinsha site as a symbol of Chinese cultural heritage. From special expansion to general, case analysis to the combination of macro theoretical research and the current situation of sun god bird being applied to modern design industry, this paper puts forward a way of designing from its symbol reconstruction to multi-angle and multi-domain design. For the design industry to provide a new reference template. From special to general, case analysis rises to the combination of macro theoretical research; the second part is mainly to analyze the cultural value of the first part of the interpretation, deficiencies and the status quo of Chinese design. The value cultural connotation of the sun god bird is given to the modern design value concept, and a new way of thinking is found for the related design.
【學(xué)位授予單位】：重慶大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2010
【分類號】：J526.1;K876.4

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