發(fā)布時間：2018-05-24 21:30

  本文選題：甲骨文 + 金文　； 參考：《中國海洋大學》2010年碩士論文

【摘要】： 本文通過對甲骨文“兆紋—文字”與鐘鼎器“紋飾一文字”進行互證性“文象關(guān)系”比較,得出甲骨文到金文的轉(zhuǎn)變不僅是文字載體和文字字體的轉(zhuǎn)變,在深層次上還體現(xiàn)出漢字由儀式時代向文本時代轉(zhuǎn)變的意義特征。 本文共分為三部分： 第一部分為概述部分,該部分介紹了本文的選題宗旨、研究概況、研究意義、理論依據(jù)和研究方法等。 第二部分為甲骨文金文文象關(guān)系的符號學對比研究,該部分為論文的主體,分為三個部分。 首先,探究殷商到西周時期的思想變化,殷商注重“巫神”的占卜儀式,西周則更加注重“禮制”的人本思想。甲骨占卜的地位下降,禮制興盛,促進了鐘鼎文的發(fā)展。這是甲骨文到金文轉(zhuǎn)變的一個思想基礎(chǔ)。 其次,甲骨文自身具有強烈的巫神儀式場色彩,神以兆紋的在場來體現(xiàn)自身的在場,甲骨卜辭雖然出現(xiàn)但尚不獨立,從屬于兆紋。隨著社會歷史發(fā)展,甲骨占卜自身的發(fā)展經(jīng)歷了“有兆無文—文兆互補—文兆分離”三個階段,這三個階段恰恰也和整個漢字系統(tǒng)的演變軌跡相契合,即“無文字時代一文字從屬于圖像符號—文字從圖像中獨立出來成為一個自足系統(tǒng)”三個階段。 再次,鐘鼎文不同于甲骨文,通過鐘鼎紋飾和金文二者的共同結(jié)合來體現(xiàn)意義。紋飾是遠古宗教、巫神、圖騰的孑遺,作為鐘鼎彝器的象符號,它與巫神相聯(lián)系；金文則銘刻歷史事實,與人相聯(lián)系。因此鐘鼎彝器上面包括了兩種意識,一種是巫神意識,一種是人的意識。鐘鼎彝器中的象符號和文字符號是共同在場、相互闡釋的互文關(guān)系。 第三部分,結(jié)語部分。對全文進行總結(jié),甲骨文文字是闡釋兆紋的,金文文字和紋飾是神、人的共同在場。在漢字發(fā)展過程中,金文時期是一個重要的中轉(zhuǎn)時期,它上接甲骨文的巫神時代,下連竹木簡的文本時代,處于這種變革的核心位置。這種發(fā)展脈絡(luò)也把漢字的發(fā)展過程提取出來,甲骨文時代屬于儀式時代,文字符號是用來闡釋圖像符號的；金文時代是神、人共治時代,文字符號意義逐漸超越圖像符號的意義；當金文發(fā)展到竹木簡時代時,圖像符號消失,只有文字符號留存。這樣,漢字最終從神性束縛中解放出來,人的創(chuàng)造性得到發(fā)揮,典籍時代來臨,漢字進入到真正的文本時代。
[Abstract]:Through the comparison of oracle bone inscription "omega-character" and Zhong Ding's "decoration and character", this paper draws a conclusion that the transformation from oracle bone inscription to golden inscription is not only the change of character carrier and character font, but also the relationship between oracle bone inscription and inscription. In a deep level, it also reflects the meaning of the change of Chinese characters from ritual times to text times. This paper is divided into three parts: The first part is an overview, this part introduces the purpose of this paper, research overview, research significance, theoretical basis and research methods. The second part is the semiotic comparative study of the relationship between oracle bone inscriptions and inscriptions, which is the main body of the thesis and is divided into three parts. First of all, to explore the Yin Shang to the Western Zhou period of ideological changes, Yin Shang pay attention to "witchcraft" divination ceremony, Western Zhou more attention to "etiquette" humanistic thought. Oracle bone divination status declined, the rise of ritual system, promoted the development of Zhong Dingwen. This is an ideological basis for the transformation from oracle bone inscription to Jin Wen. Secondly, oracle bone inscription has strong color of witchcraft ritual field, and god reflects his presence with the presence of heraldic lines. Although oracle bone inscriptions appear, they are not independent and subordinate to the signs. With the development of society and history, the development of oracle bone divination itself has gone through three stages: "there are omen no text, text and sign complement each other". These three stages also coincide with the evolution of the whole Chinese character system. There are three stages: "the era without characters is subordinate to the image symbol-the character is independent from the image into a self-contained system." Thirdly, Zhong Dingwen is different from oracle bone inscription. Decoration is the relict of ancient religion, witchcraft and totem, which is the symbol of Zongding Yi ware, which is associated with witchcraft and deity, while the golden inscription is engraved with historical facts and is related to man. Therefore, there are two kinds of consciousness above Zhongding Yi ware, one is witchcraft consciousness, the other is human consciousness. The image symbol and character symbol in Zhongding Yi ware are intertextuality which is common presence and mutual interpretation. The third part, the conclusion part. To sum up the full text, oracle inscriptions are interpreted as omega, and gold characters and ornaments are the common presence of gods and human beings. In the process of development of Chinese characters, Jin Wen period is an important transit period. It is in the core position of this kind of transformation. This kind of development also abstracts the development process of Chinese characters. The oracle bone age belongs to the ritual era, the character symbol is used to interpret the image symbol, and the Jin Dynasty is the age of God and people ruling together. The meaning of character symbol gradually surpasses the meaning of image symbol. In this way, Chinese characters are finally liberated from the bondage of divinity, people's creativity is brought into full play, the era of ancient books comes, and Chinese characters enter the real text age.
【學位授予單位】：中國海洋大學
【學位級別】：碩士
【學位授予年份】：2010
【分類號】：K877.1

【引證文獻】

相關(guān)期刊論文 前1條

1 孟華;;試論類文字[J];符號與傳媒;2011年02期

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本文編號：1930604