本文選題：克孜爾石窟 + 壁畫�。� 參考：《敦煌學(xué)輯刊》2017年03期

【摘要】：克孜爾石窟壁畫中的龍形象可分為:蛇形龍、人物形象的龍王、作為瑞獸而出現(xiàn)的龍三大類。蛇形龍及人物形象的龍王應(yīng)來自印度,瑞獸形龍的來源較復(fù)雜,吸收了犍陀羅雕刻、中原文化以及游牧文化的因素。通過分析佛經(jīng)文獻(xiàn)與圖像,可知"蛇""龍"在龜茲語境中處于一種"混雜"的狀態(tài)。
[Abstract]:The dragon image in the wall paintings of Kizerle grottoes can be divided into three categories : snake - shaped dragon , dragon king of human figure , and dragon of dragon as the beast . The dragon king of snake - shaped dragon and human figure should come from India , and the source of the dragon is more complex , absorbing the factors of the carving , the Central Plains culture and the nomadic culture . By analyzing the Buddhist scriptures and images , it can be seen that the " snake " " dragon " is in the state of " mixing " in the context of the tortoise .
【作者單位】： 龜茲研究院;
【分類號】：J522;K879.41
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本文編號：1912282