發(fā)布時間：2018-05-03 15:16

  本文選題：夏商周青銅器 + 審美特征��； 參考：《西北大學(xué)》2011年碩士論文

【摘要】：從歷史學(xué)角度來看,青銅器是夏商周社會、政治、宗教、文化高度濃縮的物質(zhì)代表；從美學(xué)角度來看,青銅器是夏商周藝術(shù)審美的物態(tài)化體現(xiàn)。然而將歷史與審美相互融合,青銅器則是中國美學(xué)由原始的審美意識發(fā)展為中國傳統(tǒng)美學(xué)思想的縮影。春去秋來,體現(xiàn)著青銅器美學(xué)精神的傳統(tǒng)美學(xué)思想在現(xiàn)代社會依然折射著耀眼的光芒。 基于上述認(rèn)識,論文以青銅器本身作為切入點(diǎn),以美學(xué)與美學(xué)史的基本理論為闡述依據(jù),按照時代先后順序,將夏商周青銅器放置于不同的時代背景下,對其造型、紋飾、銘文等美學(xué)特征進(jìn)行分析闡釋,揭示了夏商周青銅器基本的美學(xué)內(nèi)涵,挖掘出形成中國傳統(tǒng)美學(xué)思想的精神根源。論文最后分析了夏商周青銅器美學(xué)對現(xiàn)代造物審美與社會核心價值觀的影響。 論文由此分為以下五個部分： 第一章：緒論。簡要闡述本論文的研究背景、研究現(xiàn)狀、研究目的和意義、研究內(nèi)容與方法等。 第二章：夏商周青銅文化源起的背景。主要分析青銅文化源起的政治、經(jīng)濟(jì)、文化等歷史背景及青銅文化源起的美學(xué)背景,即：原始審美意識的形成。 第三章：夏商周青銅器的美學(xué)分析。按照時代順序的脈絡(luò),對夏商周青銅器的造型形式,紋飾意蘊(yùn),銘文書法等審美特征進(jìn)行分析。 第四章：夏商周青銅器的美學(xué)思考。主要分析夏商周青銅器的美學(xué)對現(xiàn)代造物藝術(shù)的影響及通過中國傳統(tǒng)儒家美學(xué)思想對現(xiàn)代構(gòu)建和諧社會的影響。 最后,在“結(jié)語”部分,論文提出夏商周青銅器美學(xué)內(nèi)涵是中國傳統(tǒng)美學(xué)思想的精神基礎(chǔ),其精髓影響著現(xiàn)代美學(xué)觀念,促進(jìn)著造物藝術(shù)的發(fā)展與和諧社會的構(gòu)建。
[Abstract]:From the historical point of view, bronze ware is a highly concentrated material representative of society, politics, religion and culture in Xia, Shang and Zhou dynasties; from an aesthetic point of view, bronze ware is the materialized embodiment of artistic aesthetics in Xia, Shang and Zhou dynasties. However, by combining history with aesthetics, bronze ware is the epitome of the development of Chinese aesthetics from primitive aesthetic consciousness to Chinese traditional aesthetic thought. In the modern society, the traditional aesthetic thought, which embodies the spirit of Bronze Aesthetics, still reflects the dazzling light. Based on the above understanding, the paper takes bronze ware itself as the breakthrough point, based on the basic theory of aesthetics and aesthetic history, according to the order of the times, places the bronze ware in different times background, shapes and ornaments the bronze ware in Xia, Shang and Zhou dynasties. By analyzing and explaining the aesthetic characteristics of inscriptions, this paper reveals the basic aesthetic connotation of bronze ware in Xia, Shang and Zhou dynasties, and excavates the spiritual root of forming Chinese traditional aesthetic thought. Finally, the paper analyzes the influence of bronze aesthetics on modern creation aesthetics and social core values. The thesis is divided into the following five parts: Chapter one: introduction. This paper briefly describes the research background, research status, research purpose and significance, research content and methods. Chapter two: the background of bronze culture in Xia, Shang and Zhou dynasties. This paper mainly analyzes the historical background of the origin of bronze culture, such as politics, economy and culture, and the aesthetic background of the origin of bronze culture, that is, the formation of primitive aesthetic consciousness. Chapter three: aesthetic analysis of bronze ware in Xia, Shang and Zhou dynasties. According to the sequence of times, this paper analyzes the aesthetic features of bronze ware in Xia, Shang and Zhou dynasties. Chapter four: aesthetic thinking of bronze ware in Xia, Shang and Zhou dynasties. This paper mainly analyzes the influence of bronze ware aesthetics in Xia, Shang and Zhou dynasties on the art of modern creation and the influence of Chinese traditional Confucian aesthetics on the construction of harmonious society. Finally, in the conclusion part, the paper puts forward that the aesthetic connotation of bronze ware in Xia, Shang and Zhou dynasties is the spiritual basis of Chinese traditional aesthetic thought, whose essence influences the modern aesthetic concept and promotes the development of creation art and the construction of harmonious society.
【學(xué)位授予單位】：西北大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2011
【分類號】：K876.41

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 張巖;古中國與古希臘青銅神獸紋飾對話[D];武漢理工大學(xué);2013年

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本文編號：1839009