本文選題：紫光閣 + 功臣像　； 參考：《文化遺產(chǎn)》2016年02期

【摘要】：清代乾隆年間紫光閣功臣像是唯一流傳于世的古代功臣畫像,有著重要的史料價(jià)值和藝術(shù)價(jià)值。與傳統(tǒng)肖像畫相比,紫光閣功臣像在人物姿勢(shì)、服飾、像贊、繪畫技法等方面具有鮮明的特色。紫光閣功臣像有手卷和立軸像兩種繪畫媒材,二者在藝術(shù)表現(xiàn)和功能上存在較大差異。作為宮廷繪畫藝術(shù),紫光閣功臣像被賦予高度的政治內(nèi)涵。
[Abstract]:In the Qianlong period of Qing Dynasty, the meritorious officials of Ziguangge were the only ancient portraits of meritorious officials, which had important historical value and artistic value. Compared with traditional portraits, Ziguangge meritocracy has distinctive characteristics in character posture, costume, praise, painting techniques and so on. There are two kinds of painting medium, hand roll and vertical axis, which have great difference in artistic expression and function. As court painting art, Ziguangge meritorious officials were given a high degree of political connotation.
【作者單位】： 廣州大學(xué)文學(xué)思想研究中心、人文學(xué)院;
【基金】：2014年度廣州市屬高校科研項(xiàng)目“中國(guó)古代功臣畫像研究”(項(xiàng)目編號(hào):1201431110)的階段性成果
【分類號(hào)】：K879.4

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