本文選題：石刻 + 漢末�。� 參考：《南京大學(xué)學(xué)報(哲學(xué)·人文科學(xué)·社會科學(xué))》2017年02期

【摘要】：在漢末三國時代,石刻是一種重要的文獻(xiàn)形式,而刻石則是一種蘊(yùn)涵豐富的文化活動。有關(guān)石刻的種種神異現(xiàn)象的載錄及其闡釋,凝聚成視石刻為“神物”這樣一種思想觀念。這一觀念固然可以遠(yuǎn)溯其歷史文化之淵源,然其在漢末三國表現(xiàn)得尤其突出,則主要是彼時政治與文化環(huán)境使然。正史、雜史、地理書以及志怪小說等諸種歷史文獻(xiàn)對石刻志異現(xiàn)象的關(guān)注,以前所未有的廣度,反映了石刻文獻(xiàn)獨特而豐厚的文化意義。
[Abstract]:Stone carving was an important document form in the late Han Dynasty and three Kingdoms period, and stone engraving was a rich cultural activity. The record and interpretation of various deity phenomena in stone carvings condense into the idea that stone carvings are regarded as "gods and objects". Although this concept can be traced back to its historical and cultural origins, it was especially prominent in the three Kingdoms in the late Han Dynasty, but it was mainly due to the political and cultural environment at that time. The historical literature such as official history, miscellaneous history, geography books and strange novels pay more attention to the phenomenon of stone inscription, which reflects the unique and rich cultural significance of stone inscription literature.
【作者單位】： 南京大學(xué)文學(xué)院古典文獻(xiàn)研究所;
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本文編號：1795313