本文選題：華陰市 + 陰城　； 參考：《中國(guó)書法》2014年01期

【摘要】：正華陰漢瓦考察記二○一三年十一月十日,我們來到漢華陰城遺址,對(duì)這里的漢瓦遺存進(jìn)行了考察。二○○四年秋,我偶然看到北京圖書館收藏的清代金石家陳介祺手拓的漢瓦當(dāng)圖冊(cè)時(shí),既驚訝于| 齋拓法的精湛入神,也第一次領(lǐng)略到漢瓦當(dāng)書法的豐富和凝重�，F(xiàn)在,我們走出編輯部,來到關(guān)中,站在秦磚漢瓦出土地,近距離感受秦漢瓦當(dāng)穿越時(shí)空的藝術(shù)魅力。站在漢華陰城遺址的五方村田壟上,向北望去,氤氳疊嶂,蜿蜒的華山盡、收眼底。兩千多年前,這里曾經(jīng)上演了多少驚心動(dòng)魄的秦漢故事,又經(jīng)歷了多少兵燹和風(fēng)雨消磨。眼下,這里只有滿眼青青的麥苗,和清冷的風(fēng)吹過。在五方村,據(jù)說出土過兩件十分罕見的瓦當(dāng)。一種是背面刻有"楊寬"款識(shí)的"與華無極"瓦當(dāng),一種是
[Abstract]:On November 10, 2013, we came to the ruins of Hanhuayin City to investigate the remains of Han WA. In the autumn of 2004, when I happened to see the collection of Han Wadang atlas by Chen Jie-qi, a gold and stone family in the Qing Dynasty, I was surprised by the consummate spirit of Zhai Tuo method, and for the first time I experienced the richness and dignity of Han Wadang calligraphy. Now, we go out of the editorial department, to Guanzhong, standing in the Qin Dynasty brick Han tile land, close experience of Qin and Han Wadang through time and space artistic charm. Standing on the Wufang Village Ridge of the ruins of Hanhuayin City, looking north, dense peaks, winding Huashan, close to the fundus. More than two thousand years ago, there were many soul-stirring stories of Qin and Han dynasties, and how many wars and storms passed away. For the time being, only green wheat seedlings, and the cold wind blowing. In Wufang village, it is said that unearthed two very rare Wadang. One is "Yang Kuan" is engraved on the back of the "and Hua Wuji" Wadang, one is
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本文編號(hào)：1790889