本文選題：三青鳥 + 三足烏��； 參考：《西部學(xué)刊》2016年01期

【摘要】：在出土的畫像石材料中,三青鳥是常見的形象,它的出現(xiàn)總是和西王母故事有關(guān)。但常常又被渾言為"三足烏",難以辨識。本文結(jié)合《山海經(jīng)》故事背景,考察了三青鳥形象的原型特點,指出三青鳥是作為西王母取食的侍者角色出現(xiàn),后又衍伸出信使的身份,從而被賦予了溝通神人的文化功能。而三足烏是以日中陽烏的形象出現(xiàn),在陰陽二元世界中的象征意義迥然有別。
[Abstract]:In the unearthed stone-relief materials, the three green bird is a common image, its appearance is always related to the story of the Western Queen Mother. But it is often called the "three foot Wu", which is difficult to discern. Based on the background of the story of the Mountain and Sea Classic, this paper examines the archetypal features of the three green birds, and points out that the three green birds appear as waiters for the western mother to feed, and then extend out the role of messengers, thus being endowed with the cultural function of communicating the divine people. And San Fu Wu appears in the image of Sun and Yang, and its symbolic significance is very different in the dualistic world of Yin and Yang.
【作者單位】： 寧夏文物考古研究所;
【分類號】：I206.2

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